https://cmsmc.org/publications daily 0.75 2023-10-14 https://cmsmc.org/publications/crafting-legacy monthly 0.5 2023-05-26 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/231356e0-84a0-42bd-9128-138810308ea2/image1_EURE.jpg Feature Essays - Crafting Legacy with Broken Pieces: Lee Family Fragments at Winterthur - Make it stand out Figure 1: Small stone fragment labelled to be from Stratford Mill, October 11, 1931. 1968.0317. Stone. Winterthur Museum. Gift of Mrs. Cazenove G. Lee. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/22781cf2-e495-4a15-8e21-12e6c82ae560/Eure_Image2.jpg Feature Essays - Crafting Legacy with Broken Pieces: Lee Family Fragments at Winterthur - Make it stand out Figure 2 : Two roofing tiles tied together with a string and labelled to be from Shirley Plantation. 1968.0324.001 and .002. Ceramic. Winterthur Museum. Gift of Mrs. Cazenove G. Lee https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/e66242ff-7976-449b-ae9a-4813f01f3c80/EURE_Image3.jpg Feature Essays - Crafting Legacy with Broken Pieces: Lee Family Fragments at Winterthur - Make it stand out Figure 3: Brick from Lee Family graveyard at Cobbs Hall and note. 1969.0051. Earthenware. Winterthur Museum. Gift of Mrs. Cazenove G. Lee. https://cmsmc.org/publications/rebodying-sterotypes monthly 0.5 2023-03-25 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/42fa5abf-9730-4c1b-896b-9f2d5daf536d/Velazquez+fig+1.jpg Feature Essays - Rebodying Stereotypes: Contemporary Indigenous Artists and the Body - Make it stand out Figure 1: Wendy Red Star, The Last Thanks, 2006, Archival pigment print, 24 x 36 inches. Courtesy of Wendy Red Star and Sargent’s Daughters, NY. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/df3656f4-2647-4234-b4aa-3af92e4c99f3/Velazquez+fig+2.jpg Feature Essays - Rebodying Stereotypes: Contemporary Indigenous Artists and the Body - Make it stand out Figure 2: James Luna, The Artifact Piece, 1987 Chromogenic print 20 x 84 inches 48.3 x 218.4 cm 12 elements, each 10 x 14 inches Edition of 6, 2 Artist's Proofs (Inv# LUNPP031.1). Courtesy the Estate of James Luna and Garth Greenan Gallery, New York. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/d157c04f-f980-4a0b-92d4-6ef811252eac/Velazquez+fig3.jpg Feature Essays - Rebodying Stereotypes: Contemporary Indigenous Artists and the Body - Make it stand out Figure 3: James Luna, Take a Picture with a Real Indian, 1991, Chromogenic print; silver gelatin print 24 x 112 inches 40.6 x 61 cm 5 elements, 16 x 24 and 24 x 16 inches Edition of 6, 2 Artist's Proofs (Inv# LUNPP025.1). Courtesy the Estate of James Luna and Garth Greenan Gallery, New York. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/4d596d93-b6d3-49bc-ae9c-a02372372ff2/Velazquez+fig4.jpg Feature Essays - Rebodying Stereotypes: Contemporary Indigenous Artists and the Body - Make it stand out Figure 4: Wendy Red Star, Amnia (Echo), 2021. Archival ink on paper, board. 661⁄2 x 9 1⁄4 x 19 in. Courtesy of the artist and Sargent's Daughters; from the collection of the San Antonio Museum of Art, San Antonio, TX. https://cmsmc.org/publications/knights-of-the-round-table-3 monthly 0.5 2023-03-05 https://cmsmc.org/publications/knights-of-the-round-table-nx8e8 monthly 0.5 2023-02-10 https://cmsmc.org/publications/knights-of-the-round-table monthly 0.5 2023-02-10 https://cmsmc.org/publications/picturing-materiality monthly 0.5 2022-12-17 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1671204018719-MD0E9Z01X4RHNMNOI9XF/fig1.jpg Feature Essays - Picturing Materiality: Timothy O’Sullivan, Geology, and the American Landscape - Figure 1 – Timothy O’Sullivan, Ancient Ruins in the Canon de Chelle, 1873, albumen print, 27.5 x 20.3 cm. George Eastman House, Rochester NY. Image courtesy of Artstor. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1671204018751-KJPK8V421NO27A6FBTAO/fig2.jpg Feature Essays - Picturing Materiality: Timothy O’Sullivan, Geology, and the American Landscape - Figure 2 – Thomas Cole, Expulsion from the Garden of Eden, 1828, oil on canvas, 39.75 x 54.5 in. Museum of Fine Arts, Boston. Image courtesy of Artstor. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1671204019286-1VTRQZLGTSFJ61F4PF80/fig3.jpg Feature Essays - Picturing Materiality: Timothy O’Sullivan, Geology, and the American Landscape - Figure 3 – Frederic Church, Heart of the Andes, 1859, oil on canvas, 66.15 x 119.25 in. Metropolitan Museum of Art, New York. Image courtesy of Artstor. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1671204019369-NYDLQK7T204Q3665126E/fig4.jpg Feature Essays - Picturing Materiality: Timothy O’Sullivan, Geology, and the American Landscape - Figure 4- Albert Bierstadt, The Rocky Mountains, Lander Peak, 1863, oil on canvas, 73.5 x 120.75 in. Metropolitan Museum of Art, New York. Image courtesy of Artstor. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1671204019861-34E8URCSFPNG8BUMFW03/fig5.jpg Feature Essays - Picturing Materiality: Timothy O’Sullivan, Geology, and the American Landscape - Figure 5 – Frederic Church, Cotopaxi, 1862, oil on canvas, 48 x 85 in. Detroit Institute of Arts, Detroit MI. Image courtesy of Artstor. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1671204019963-JFQSA841IKYT22UZ2LG6/fig6.jpg Feature Essays - Picturing Materiality: Timothy O’Sullivan, Geology, and the American Landscape - Figure 6 – Carleton Watkins, Yosemite Valley, 1866. The J. Paul Getty Museum, Los Angeles. Image courtesy of Artstor. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1671204020414-GVQXSVBBEJDGF7MQ8EPF/fig7.jpg Feature Essays - Picturing Materiality: Timothy O’Sullivan, Geology, and the American Landscape - Figure 7 – Richard H. Kern, Ruins of an Old Pueblo in the Cañon of Chelley—Sept. 8th, 1852, 1852, Lithograph. Amon Carter Museum, Fort Worth, TX. Image courtesy of Amon Carter Museum. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1671204020688-58OL97VZE2S333SWJ78P/fig8.jpg Feature Essays - Picturing Materiality: Timothy O’Sullivan, Geology, and the American Landscape - Figure 8 – Timothy O’Sullivan, Cleavage in Lava, Meadow Creek Canon, NV, 1871, albumen print, 20.3 x 28.2 cm. George Eastman House, Rochester NY. Image courtesy of Artstor. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1671204020949-X220SA8G6DZ8JMFQY6FD/fig9.jpg Feature Essays - Picturing Materiality: Timothy O’Sullivan, Geology, and the American Landscape - Figure 9 – Timothy O’Sullivan, Cañon de Chelle, 1873, albumen print. Image courtesy of Artstor. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1671204021376-7VE51AT8OWEXU6CWKIS4/fig10.jpg Feature Essays - Picturing Materiality: Timothy O’Sullivan, Geology, and the American Landscape - Figure 10 – Timothy O’Sullivan, Trachyte Columns, Trinity Mountains, NV, 1867, albumen print. George Eastman House, Rochester NY. Image courtesy of Artstor. https://cmsmc.org/publications/tpeering-through-the-hood monthly 0.5 2022-12-02 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984352709-GTB9M711CHWICPDD5SD7/jacobs_1.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 1: Headline in The Daily Record newspaper, Tuesday April 27th, 1926. Courtesy of Stephen H..Hart Research Center at History Colorado. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984352732-ODK4NM88V87OMINW5MA9/jacobs_2.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 2: KKK on a Ferris Wheel in Cañon City, Colorado, 1926. Courtesy of the Royal Gorge Museum & History Center. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984353279-7FWBUFHQPMBQ128YIT5P/Jacobs_3.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 3 Klan parade in Salida, Colorado,1924. Courtesy, Mesa County Libraries. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984353312-O3NBNHQG8DQAILLWEAL9/Jacobs_4.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 4 Klan parade in Denver, Colorado, May 31, 1926. Courtesy of Denver Public Library Special Collections. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984353831-5SW4WCVC2I6MC5LL078T/Jacobs_5.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 5 WKKK women distributing Thanksgiving baskets, Denver, Colorado, 1920’s. Courtesy of Denver Public Library Special Collections. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984353872-STPE9H8TV5S827IYPRXU/Jacobs_6.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 6 Klan member at "Klan Day" at the races at Overland Park, Denver, July 1925. Courtesy of Denver Public Library Special Collections. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984354391-6SLUGDDATLTR0856ZZ1O/Jacobs_7.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 7 Ceremony held on South Table Mountain, Jefferson County Colorado, 1925. Courtesy, Denver Public Library Special Collections. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984354688-CWWURIHUUJN66ICOS2WA/Jacobs_8.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 8 Tennessee Ku Klux Klan rider on horseback and in full regalia, holding a flag with the Latin motto "Quod Semper, Quod Ubique, Quod Ab Omnibus," ca. 1868. Courtesy of the Tennessee State Museum Collection, Nashville. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984354948-ZOI93781Z9PH0YC4GV8T/Jacobs_9.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 9 Photo of the workers at the Klan Robe and Printing Plant, Buckhead Atlanta, Georgia, ca. the 1920s. Courtesy of the Duke University Digital Collection. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984355250-KVCHFPYRHIGAUX0CYANC/Jacobs_10_a.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 10a 10 Illustrations from the Klan catalog that depicts three different choices for Klan chapter banner available for purchase, ca, 1925. Courtesy of the Duke University Digital Collection. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984355558-JZ7GNHZHWTEW1PI1K45N/Jacobs_10_b.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 10b 10 Illustrations from the Klan catalog that depicts three different choices for Klan chapter banner available for purchase, ca, 1925. Courtesy of the Duke University Digital Collection. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984355792-UWOZN0TZPH03XI9FNX7R/Jacobs_10_c.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 10c 10 Illustrations from the Klan catalog that depicts three different choices for Klan chapter banner available for purchase, ca, 1925. Courtesy of the Duke University Digital Collection. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984356120-JFAS3YBQHOKVYMDQXF7G/Jacobs_11_a.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 11a Klan robes came in many colors that are usually not affiliated with the organization, the brighter the color the higher the rank, ca. 1925. Courtesy of the Duke University Digital Collections. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984356500-HCWVT0GY1T48XHDHA2TJ/Jacobs_11_b.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - bFigure 11 Klan robes came in many colors that are usually not affiliated with the organization, the brighter the color the higher the rank, ca. 1925. Courtesy of the Duke University Digital Collections. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984356651-TEUB7TV3XPKMMG909P8E/Jacobs_11_c.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 11c Klan robes came in many colors that are usually not affiliated with the organization, the brighter the color the higher the rank, ca. 1925. Courtesy of the Duke University Digital Collections. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984357194-LJA84PBFTYIQGVI1FQMR/Jacobs_12_a.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 12a lower ranked members' costumes were more common and synonymous with the Klan, ca. 1925. Courtesy of the Duke University Digital Collection. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984357224-3OYZPPENOGZAOCD9BE0D/Jacobs_12_b.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 12b lower ranked members' costumes were more common and synonymous with the Klan, ca. 1925. Courtesy of the Duke University Digital Collection. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984357737-USEKU1UI2WDJD8DYHUOU/Jacobs_12_c.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 12c lower ranked members' costumes were more common and synonymous with the Klan, ca. 1925. Courtesy of the Duke University Digital Collection. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984358004-9HEYIWXYXCNEW4TIKL2V/Jacobs_13_a.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 13a Examples of a Kloran from Canada as well as a photo of the Constitution and Manual that each member was required to have and learn from, ca.1920’s. Courtesy of Michigan State University. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984358485-JCBM894UXNGELCGS434F/Jacobs_13_b.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 13b Examples of a Kloran from Canada as well as a photo of the Constitution and Manual that each member was required to have and learn from, ca.1920’s. Courtesy of Michigan State University. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984358608-EM2JKY2G2TT9HIDH3XJ0/Jacobs_13_c.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 13c Examples of a Kloran from Canada as well as a photo of the Constitution and Manual that each member was required to have and learn from, ca.1920’s. Courtesy of Michigan State University. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984359036-6JBALMPAYIK5E3C3XS3W/Jacobs_14.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 14 Article clipping from The Fiery Cross, ca. 1923. Courtesy Hoosier State Chronicle. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984359089-BTPD15W65L5MHOF8NMLP/Jacobs_15.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 15 Mrs. Ruth takes a smoke break while her assistant is making alterations to an Exalted Cyclops outfit, while her daughter is next to them, ca. 2008. Courtesy of Mother Jones. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984359673-HTQI2LXN1SQCRBDFE4G1/Jacobs_16_a.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 16a KKK parade in Binghamton, New York, ca. 1920. Courtesy of the Bettmann Archive and Daily Dot. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1669984359724-5P066F5ONY137MC3MU1P/Jacobs_16_b.jpg Feature Essays - Peering Through the Hood: The Material/Visual Culture of the Second KKK - Figure 16b Alt-Right groups at the “Million MAGA March,” ca. 2020. Courtesy of the Bettmann Archive and Daily Dot. https://cmsmc.org/publications/eurocentric-beauty-childhood-development monthly 0.5 2022-11-18 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/d0a28550-53b1-4997-b2df-a3c857ed6919/shenk_fig1.png Feature Essays - Encountering Eurocentric Beauty Ideals and Childhood Identity Formation in Collages by Deborah Roberts - Make it stand out Figure 1: Deborah Roberts, A Conversation with Beauty, 2017, mixed media and found photocollage on paper, 30 x 22 in. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/9996cea5-083d-4da7-be14-78754f98e920/shenk_fig2.jpeg Feature Essays - Encountering Eurocentric Beauty Ideals and Childhood Identity Formation in Collages by Deborah Roberts - Make it stand out Figure 2: Deborah Roberts, Miseducation of Mimi, 2014, collage and mixed media on paper, 17 x 14 in. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1ddc9719-65c4-473c-aae2-8446da8d831d/shenk_fig3.jpeg Feature Essays - Encountering Eurocentric Beauty Ideals and Childhood Identity Formation in Collages by Deborah Roberts - Make it stand out Figure 3: Gordon Parks, Untitled, Harlem, New York, 1947, gelatin silver print, image: 7 × 6 7/8 in. Courtesy of and © The Gordon Parks Foundation. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/68cda3cd-206e-473a-836a-82ef364136ed/shenk_fig4.jpeg Feature Essays - Encountering Eurocentric Beauty Ideals and Childhood Identity Formation in Collages by Deborah Roberts - Make it stand out Figure 4: Helen Levitt, N.Y., c. 1940, silver gelatin print, 6 × 9 in. Courtesy of and © Film Documents LLC, courtesy Galerie Thomas Zander, Cologne. https://cmsmc.org/publications/few-ladies-ever-sit monthly 0.5 2022-10-21 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/c8566926-c238-4251-bca1-fe946a858371/Schulte+OCT+2022+FINAL+pdf.jpg Feature Essays - “Few Ladies Ever Sit”: Examining Women’s Presence in the Madison White House Parlors - Make it stand out Figure 1 : First Ladies Hall Diorama, Dolley Madison, 1961. Margaret Klapthor, et. al, 1961. Materials and dimensions not available. Courtesy, Smithsonian Institution Archives. Image # 71-2062. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/7e5aa6b4-66e9-41ef-a988-df1ecc2aca8d/Schulte+2.jpg Feature Essays - “Few Ladies Ever Sit”: Examining Women’s Presence in the Madison White House Parlors - Make it stand out Figure 2: The White House (“President’s House”) Washington, D.C. Site Plan and Principal Story Plan. Benjamin Henry Latrobe, 1807. Drawing: watercolor and ink on paper. Dimensions not available. Courtesy, Benjamin Henry Latrobe Archive. As published by the Library of Congress Prints and Photographs Division. The Oval Drawing Room is the central room in the top half of this plan. The Ladies Drawing Room/Mrs. Madison’s Parlor is directly to its right. Today these spaces are known as the “Blue Room” and “Red Room,” respectively. The exterior stone walls are original, but the interior wooden walls burned in the fire. However, the floorplan of this portion of the White House was rebuilt with a similar structure. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/d426bbb0-ba75-4d92-b231-75e21944216f/Schulte+3.jpg Feature Essays - “Few Ladies Ever Sit”: Examining Women’s Presence in the Madison White House Parlors - Make it stand out Figure 3: The Splendid Mrs. Madison. Peter Waddell for the White House Historical Association. 2012. Oil on canvas. 48 x 60cm. In this painting, Waddell relied on scholarship about the Madison interiors to reproduce a scene of the Oval Drawing Room on a Wednesday night. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/ce2a30ba-516c-4055-8193-6263443b5bea/Schulte+4.jpg Feature Essays - “Few Ladies Ever Sit”: Examining Women’s Presence in the Madison White House Parlors - Make it stand out Figure 4: Design for a chair for the White House. Benjamin Henry Latrobe, circa 1809. Watercolor, pen, pencil, and ink on paper. 41.95 x 19.69cm. Courtesy, Maryland Center for History and Culture. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/0bbf9223-cd22-4fe0-b095-fb4165bb5546/Schulte+5.jpg Feature Essays - “Few Ladies Ever Sit”: Examining Women’s Presence in the Madison White House Parlors - Make it stand out Figure 5: Plan for Mantel with Embellished French Plate Mirror. Benjamin Henry Latrobe and Dolley Madison, 1809. Watercolor, ink, and wash. 35 x 46cm. Courtesy, Benjamin Henry Latrobe Archive. Library of Congress Prints and Photographs Division. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/15418ee1-67dc-4ebe-900b-267e3fe6563f/schulte7.jpg Feature Essays - “Few Ladies Ever Sit”: Examining Women’s Presence in the Madison White House Parlors - Make it stand out Figure 6: Mary Latrobe’s Tea Box. Artisan unknown, probably Washington, D.C., c. 1809-1811. Wood. Dimensions not available. © 2000 White House Historical Association. The interior of this tea box, owned by Benjamin Henry Latrobe’s wife, is lined with a French woodblock wallpaper. An inscription on the box explains that it is a sample of the wallpaper from the Madison White House, given to Mary as a gift from Dolley Madison. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/7bf5a03c-588d-409c-b1fb-5c8c3ae84eb9/schulte7.jpg Feature Essays - “Few Ladies Ever Sit”: Examining Women’s Presence in the Madison White House Parlors - Make it stand out Figure 7:“The Reign of Dolley Madison.” L.M. Glackens, April 24, 1901. Drawing: India ink over pencil, with blue pencil on Bristol board. 37 x 58.5cm. Courtesy, Carolina and Erwin Swann Collection of Caricature & Cartoon. Courtesy, Library of Congress Prints and Photographs Division Washington, D.C. https://cmsmc.org/publications/science-of-light monthly 0.5 2022-12-02 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/f0a00be8-1769-460a-8f4b-a82414f11130/Picture1.jpg Feature Essays - The Science of Light in the Spiritualist Works of Evelyn De Morgan - Make it stand out Figure 1: Decomposition of Light by the Prism, Edwin D. Babbitt (1878) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/87d974a7-3e78-4935-b56b-113988b9e4fb/Picture2.jpg Feature Essays - The Science of Light in the Spiritualist Works of Evelyn De Morgan - Make it stand out Figure 2: The Kingdom of Heaven Suffereth Violence, and the Violent Take it By Force, Evelyn De Morgan (undated, c. 1900-1919) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/04d370e0-9ec8-4ed9-b558-80c972deff11/Picture3.jpg Feature Essays - The Science of Light in the Spiritualist Works of Evelyn De Morgan - Make it stand out Figure 3: The Psycho-Magnetic Curves, Edwin D. Babbitt (1878) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/eefd0cf5-5dfa-44cc-aafa-c09c8cb4d190/Picture4.jpg Feature Essays - The Science of Light in the Spiritualist Works of Evelyn De Morgan - Make it stand out Figure 4: Angel Piping to the Souls in Hell by Evelyn De Morgan (undated, c. 1900-1919) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/16b854dc-00ac-4480-8e5b-2b0ef8f71cd8/Picture5.jpg Feature Essays - The Science of Light in the Spiritualist Works of Evelyn De Morgan - Make it stand out Figure 5: Our Lady of Peace by Evelyn De Morgan (1902) https://cmsmc.org/publications/lenguaja-avant-garde monthly 0.5 2022-09-09 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/c8451da0-c76a-4026-b2b6-0245e97d34bc/image1+%282%29.jpeg Feature Essays - Lenguaje, Llengua, y La Vanguardia: Avant-gardism in Barcelona and Madrid from 1915 to 1925 - Make it stand out Figure 1: Diego Rivera, Portrait of Ramón Gómez de la Serna, 1915, oil on canvas, MALBA, Buenos Aires, Public Domain. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/cad51c70-eec9-4792-961b-4a69f2b7a760/image2.jpeg Feature Essays - Lenguaje, Llengua, y La Vanguardia: Avant-gardism in Barcelona and Madrid from 1915 to 1925 - Make it stand out Figure 2: Josep Maria Junoy, Leaflet for the Miró exhibition at the Galeries Dalmau, 1918. Public Domain. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/43f2b511-e2f1-48f6-9dc4-ac7b795582cd/image3+%281%29.png Feature Essays - Lenguaje, Llengua, y La Vanguardia: Avant-gardism in Barcelona and Madrid from 1915 to 1925 - Make it stand out Figure 3: Joan Miró, Cover art of Arc Voltaic, 1918. Courtesy of The Museum of Avant-garde. https://www.ma-g.org/artwork/42-arc-voltaic/?signup-banner=not-now https://cmsmc.org/publications/abolitionist-and-anti-slavery-imagery monthly 0.5 2022-06-17 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1655464037900-9C7YM0PCPX8474J4U966/epplett+_image+1.jpeg Feature Essays - Abolitionist Broadsides and Anti-Slavery Imagery Fig. 1. J. S. Potter & Co., printers. A Crusade against Slavery and Counterfeit Christianity. 1850. Image. https://digitalcollections.library.harvard.edu/catalog/990050995450203941 (accessed May 25, 2022). https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1655464041595-7LNSIXLHUAYIBQ9UN4EG/image2_epplet.jpeg Feature Essays - Abolitionist Broadsides and Anti-Slavery Imagery Fig. 2. American Slavery. Moses Roper. October 8, 1839. Image. https://digitalcollections.nypl.org/items/510d47df-c9e4-a3d9-e040-e00a18064a99 (accessed May 25, 2022) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1655464042005-QKV646F5IPTJD368625G/image3_epplett.jpeg Feature Essays - Abolitionist Broadsides and Anti-Slavery Imagery Fig. 3. Means, John, and R. E. Stanley. $2,500 Reward. August 23, 1852. Image. http://collections.mohistory.org/resource/216610 (accessed May 25, 2022) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/89c8faff-955d-4c3b-b7a5-af4f5ac9b744/image+4_epplett.jpeg Feature Essays - Abolitionist Broadsides and Anti-Slavery Imagery - Make it stand out Fig. 4. Call, J. W. Pocket Book Lost!! December 16, 1839. Image. https://www.loc.gov/item/rbpe.01501900/ (accessed May 25, 2022) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1655464367513-PZKJQZEZBORQ9WRUEYGM/image+5_epplett.png Feature Essays - Abolitionist Broadsides and Anti-Slavery Imagery https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1655464375653-QCD1XD1D669UQ2K3ZCJ3/image6.png Feature Essays - Abolitionist Broadsides and Anti-Slavery Imagery https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1655464371872-WYJ3LZ85MGG6ZEQOZ513/image7.jpeg Feature Essays - Abolitionist Broadsides and Anti-Slavery Imagery https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1655464373601-AICP8DEVHTOCW8NRQCLD/image8.jpeg Feature Essays - Abolitionist Broadsides and Anti-Slavery Imagery https://cmsmc.org/publications/amazon-warriors-ancient-greek monthly 0.5 2022-06-03 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/7771efba-3e2c-4e4c-a8b5-46eb29a90d80/reed1.jpg Feature Essays - Amazon Warriors in Classical Greek Art: Exploring Patriarchal Foundations in Ancient Greece - Make it stand out Figure 1: Marble Statue of a Wounded Amazon, 1st-2nd century A.D (based on an original Greek Bronze sculpture, 5th century B.C.E), marble, 203.84 cm, New York, Metropolitan Museum of Art. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/e21e80a4-4f91-43dc-951c-f6cad2397e8c/reed2a.jpg Feature Essays - Amazon Warriors in Classical Greek Art: Exploring Patriarchal Foundations in Ancient Greece - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/b5280a58-2746-4776-b7cb-1269a49af0f4/reed2b.jpg Feature Essays - Amazon Warriors in Classical Greek Art: Exploring Patriarchal Foundations in Ancient Greece - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/dcd6f057-bda9-4ca3-b3ab-d3b6a5737664/reed3.jpg Feature Essays - Amazon Warriors in Classical Greek Art: Exploring Patriarchal Foundations in Ancient Greece - Make it stand out Figure 3: Attic black-figure amphora attributed to Exekius depicting the murder of Penthesilea by Achilles, 540-530 B.C.E., terracotta, 41 x 29 cm, British Museum, London. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/50ecc582-c6ba-41c3-b6f6-ad66223e99d7/eerd4.jpg Feature Essays - Amazon Warriors in Classical Greek Art: Exploring Patriarchal Foundations in Ancient Greece - Make it stand out Figure 4: Detail of wound from Marble Statue of a Wounded Amazon, 1st-2nd century A.D (based on an original Greek Bronze sculpture, 5th century B.C.E), marble, 203.84 cm, New York, Metropolitan Museum of Art. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/4ee8eb43-1468-45e8-8262-378f0fae5934/reed5.jpg Feature Essays - Amazon Warriors in Classical Greek Art: Exploring Patriarchal Foundations in Ancient Greece - Make it stand out Figure 5: Parthenon West Metope 1, 445-440 B.C.E., marble, 1.35 x 1.37 m, Acropolis Museum, Athens. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/2c3f5fac-cd3b-41a6-878f-5b25b25d8057/reed6.jpg Feature Essays - Amazon Warriors in Classical Greek Art: Exploring Patriarchal Foundations in Ancient Greece - Make it stand out Figure 6: Athena Parthenos, Pheidias, chryselephantine, 447-438 B.C.E. https://cmsmc.org/publications/lost-and-found monthly 0.5 2022-05-20 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/72e07fff-3087-457b-8b8a-df71c3a7fa1b/Image+1+_Beason.jpeg Feature Essays - Lost and Found: Anna Belle Mitchell, Jane Osti, and the “Revival” of Cherokee Pottery in Oklahoma - Make it stand out Figure 1: Anna Belle (Sixkiller) Mitchell, Cherokee Pot, ca. 1967. Courtesy of Fred Jones Jr. Museum of Art, the University of Oklahoma, Norman; Gift of Rennard Stickland, 2008. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/5b3b79cf-4873-4dd8-a9d8-3426ae4da834/fig2_beason.jpeg Feature Essays - Lost and Found: Anna Belle Mitchell, Jane Osti, and the “Revival” of Cherokee Pottery in Oklahoma - Make it stand out Figure 2: Jane Otsi, Hummingbird Pot, 2006. Ceramic. Courtesy of the Fred Jones Jr. Museum of Art, the University of Oklahoma, Norman; Gift of Rennard Strickland, 2008. https://cmsmc.org/publications/three-is-a-magic-number monthly 0.5 2022-04-22 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/f1f1fd7f-92e6-4d8c-bd3d-c48f66e63946/Fig+1+Givens.png Feature Essays - “Three is a Magic Number”: The Triple Threat of Being Black, Female, and a Panther - Make it stand out Figure 1: July 20, 1967. Print Newspaper, African American Museum and Library, Oakland, California. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/edfa9bf7-7935-4ae2-8236-92d43f73d0f5/fig2givens.jpeg Feature Essays - “Three is a Magic Number”: The Triple Threat of Being Black, Female, and a Panther - Make it stand out Figure 2: May 25, 1967. Print Newspaper, African American Museum and Library, Oakland, California. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/f4d69dd5-5d15-4a06-a844-3561d5e5b9c4/fig3_givens.png Feature Essays - “Three is a Magic Number”: The Triple Threat of Being Black, Female, and a Panther - Make it stand out Figure 3: July 2, 1967. Print Newspaper, African American Museum and Library, Oakland, California. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/a9d27656-b946-46ad-b20d-56048104b3fb/givens+fig4.png Feature Essays - “Three is a Magic Number”: The Triple Threat of Being Black, Female, and a Panther - Make it stand out Figure 4: November 3, 1967. Print Newspaper, African American Museum and Library, Oakland, California. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/7bb7a953-c9dd-4deb-bdc0-53bc166b9200/fig5_givens.jpeg Feature Essays - “Three is a Magic Number”: The Triple Threat of Being Black, Female, and a Panther - Make it stand out Figure 5: May 4, 1968. Print Newspaper, African American Museum and Library, Oakland, California. Artwork by Matiliba (Tarika Joan Lewis). https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/02bb45ca-ab15-4e91-8748-f0be14a9f596/image4.jpeg Feature Essays - “Three is a Magic Number”: The Triple Threat of Being Black, Female, and a Panther - Make it stand out Figure 6: May 18, 1968. Print Newspaper, African American Museum and Library, Oakland, California. Poem by Sarah Webster Fabio. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/6f3146ec-b3e1-4281-a295-663266e40958/fig7.jpeg Feature Essays - “Three is a Magic Number”: The Triple Threat of Being Black, Female, and a Panther - Make it stand out Figure 7: September 7, 1968. Print Newspaper, African American Museum and Library, Oakland California. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/a519ed86-59d1-4fa0-aa58-68d184be5ff5/fig8.jpeg Feature Essays - “Three is a Magic Number”: The Triple Threat of Being Black, Female, and a Panther - Make it stand out Figure 8: September 7, 1968. Print Newspaper, African American Museum and Library, Oakland California. https://cmsmc.org/publications/conquete-militaire monthly 0.5 2022-02-25 https://cmsmc.org/publications/take-heed-of-revelations monthly 0.5 2022-02-11 https://cmsmc.org/publications/museum-of-the-bible-part-2 monthly 0.5 2022-01-29 https://cmsmc.org/publications/museum-of-the-bible monthly 0.5 2022-01-21 https://cmsmc.org/publications/sports-bra monthly 0.5 2021-12-17 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/0ed4c8ef-fe95-40b1-88b6-43823c141823/fig+1_pownall.jpeg Feature Essays - The Material Culture of the Sports Bra: Supporting Innovation and Femininity in Athletics - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/5c2934e9-1bdd-4f74-9092-fe4d65e02b5a/Fig2_pownall.jpeg Feature Essays - The Material Culture of the Sports Bra: Supporting Innovation and Femininity in Athletics - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/0e948f69-326e-4673-a726-fc9ae1fc8a27/fig3_pownall.png Feature Essays - The Material Culture of the Sports Bra: Supporting Innovation and Femininity in Athletics - Make it stand out Figure 3: Advertisement for Jogbra, Inc.’s Sportshape sports bra that featured in Cosmopolitan magazine in 1986. Jogbra, Inc. “Less Bounce to the Ounce!,” 1986, advertisement, Science History Institute, Philadelphia, https://digital.sciencehistory.org/works/qn59q408f. https://cmsmc.org/publications/a-closer-look-funerary monthly 0.5 2021-12-03 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/374c38c9-cc8f-4e6e-8a71-a73671b15afb/henzlik_fig1.jpeg Feature Essays - A Closer Look: Funerary Studies, Material Culture, and the Maya - Make it stand out Figure 1: The Princeton Vase, AD 670-750 Late Classic. Ceramic with red, cream, and black slip, with remnants of painted stucco. h. 21.5 cm., diam. 16.6 cm. (8 7/16 x 6 9/16 in.), Princeton University Art Museum. Museum purchase, gift of the Hans A. Widenmann, Class of 1918, and Dorothy Widenmann Foundation. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/f0ed2cbd-10b7-435a-b110-dfec338dcc43/henzlik_fig2.png Feature Essays - A Closer Look: Funerary Studies, Material Culture, and the Maya - Make it stand out Figure 2: Maya, Bowl with Anthropomorphic Cacao Trees, 400-500 CE. Carbonate stone,h. 8.6 cm., diam. 15.9 cm. (3.4 x 6.3 in.) © Dumbarton Oaks, Pre-Columbian Collection, Washington, D.C. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/60c5b4a5-e82b-45c3-b571-8531d6268ba3/henzlik_fig3.png Feature Essays - A Closer Look: Funerary Studies, Material Culture, and the Maya - Make it stand out Figure 3: Maya, Bowl with Anthropomorphic Cacao Trees, 400-500 CE. Carbonate stone, h. 8.6 cm., diam. 15.9 cm. (3.4 x 6.3 in.) © Dumbarton Oaks, Pre-Columbian Collection, Washington, D.C. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/f9f9f59d-07c7-4cbe-bc34-685d76980b0f/henzlik_fig4.png Feature Essays - A Closer Look: Funerary Studies, Material Culture, and the Maya - Make it stand out Figure 4: Maya vase rollout, Justin Kerr, [K1185], Dumbarton Oaks, Trustees for Harvard University, Washington, D.C. https://cmsmc.org/publications/marxist-approach-ptolemaic monthly 0.5 2021-11-12 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/2b788dbf-7039-455f-9dd7-eb7d10fb8abd/fig1.png Feature Essays - A Marxist Approach to Ptolemaic Society: Through the Lens of the Maritime Industry - Make it stand out Figure 1: This map displays the placement of ancient shipwrecks, anchors, and limestone blocks from the structures of Thonis-Heracleion. The letters indicate different buildings located within the city: A, Central Port East, B, Central Port West, C, Temple of Khonsu, D, Southeast Port (Robinson 2018, 326). From Structures of the site Thonis-Heracleion in Aboukir Bay, Egypte. IEASM excavations led by Franck Goddio (Franck Goddio © Franck Goddio/IEASM) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/99ea468d-2da3-4a5a-a334-677f701b35e1/fig2.jpeg Feature Essays - A Marxist Approach to Ptolemaic Society: Through the Lens of the Maritime Industry - Make it stand out Figure 2: Limestone anchors found in the southeast portion of the Central Port of Thonis-Heracleion (Fabre 2015, 176). Of Thonis-Heracleion in Aboukir Bay, Egypte. IEASM excavations led by Franck Goddio (C. Gerigk; © F. Goddio/Hilti Foundation). https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/4fe0a7b1-d11c-4d71-8890-ed753d44c6c6/fig3c.jpeg Feature Essays - A Marxist Approach to Ptolemaic Society: Through the Lens of the Maritime Industry - Make it stand out Figure 3: Top Left: Domed Egyptian-style weight, Bottom: Cupcake Egyptian-style weight, and Top Right: Greek-style inscribed weight from excavations at Thonis-Heracleion (Van Der Wilt 2015: 162-163). At Thonis-Heracleion in Aboukir Bay, Egypte. IEASM excavations led by Franck Goddio (E.M. van der Wilt; © F. Goddio/Hilti Foundation) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/c3750f5f-4ee7-4f17-ba8c-0a425e20f89a/fig4.png Feature Essays - A Marxist Approach to Ptolemaic Society: Through the Lens of the Maritime Industry - Make it stand out Figure 4: This is a close-up of Thonis-Heracleion that shows the Central Port and Grand Canal indicating the anchors, limestone blocks, and ships. A: ship 61; B: ship 11; C: ship 17; D: ship 43; E: western ship graveyard; the ship that was radiocarbon-dated more accurately to the Ptolemaic period is Ships 61. While Ships 11, 17, and 43 have been dated to earlier than the Ptolemaic period, possibly mid to late fourth or fifth centuries BC, their usage could have reached into the Ptolemaic period (Robinson 2018: 327). IEASM Excavations led by Franck Goddio in Aboukir Bay, Egypt (Franck Goddio © Franck Goddio/IEASM). https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/553717a8-2229-4d0e-879e-e84664bdf46c/fig5a.png Feature Essays - A Marxist Approach to Ptolemaic Society: Through the Lens of the Maritime Industry - Make it stand out Figure 5: Top left: Ship 17, top right: Ship 61, middle: Ship 43, and bottom: Ship 11. All the images were photographed by Christoph Gerigk and © Franck Goddio/Hilti Foundation (Robinson 2018, 328-331). IEASM Excavations led by Franck Goddio in Aboukir Bay, Egypt. https://cmsmc.org/publications/take-me-back monthly 0.5 2021-10-29 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1635508916330-WE9IKRRH617QNTLSXNEY/fig1.jpg Feature Essays - “Take me Back to the Good Old Days”: Racism, Berlin Wool Work, and Comfort - Make it stand out Figure 1: Full image of 1876 piece of Berlin wool work. Image taken by Author, courtesy of Winterthur Museum. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1635508944580-5VUQ27Q0R0IISYIFUY7E/fig2.jpg Feature Essays - “Take me Back to the Good Old Days”: Racism, Berlin Wool Work, and Comfort - Make it stand out Figure 2: Picture of Satin stitched winged bug in orange and black. Photo by author, courtesy of the Winterthur Museum. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1635508948529-2KEVYEQ8H86PH5I1OF9O/fig3.jpg Feature Essays - “Take me Back to the Good Old Days”: Racism, Berlin Wool Work, and Comfort - Make it stand out Figure 3: Image of Satin stitched light blue broom. Photo by author, courtesy of the Winterthur Museum. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1635508989914-Z4LVPSN9U58ERSSGDM6J/fig4.jpg Feature Essays - “Take me Back to the Good Old Days”: Racism, Berlin Wool Work, and Comfort - Make it stand out Figure 4: Image of single line of a herringbone stitch in beige. Photo taken by author, courtesy of the Winterthur Museum. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1635509017793-MF2V4ITQ0XH3V8VTWNSI/fig5.jpg Feature Essays - “Take me Back to the Good Old Days”: Racism, Berlin Wool Work, and Comfort - Make it stand out Figure 5: Image of full Berlin woolwork table cover with annotations made of alterations shown in white circles. Photo taken by author, courtesy of the Winterthur Museum. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1635509034784-GQ0CHHORA8R7K3PD4EQ7/fig6.jpg Feature Essays - “Take me Back to the Good Old Days”: Racism, Berlin Wool Work, and Comfort - Make it stand out Figure 6: Image of full back of table cover with alterations circled in white. Photo by author, courtesy of the Winterthur Museum. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1635509207247-77EMPVUZFJEP2T191MWQ/fig7.jpg Feature Essays - “Take me Back to the Good Old Days”: Racism, Berlin Wool Work, and Comfort - Make it stand out Figure 7: Image of left side of table cover. Photo taken by author, courtesy of the Winterthur Museum. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1635509285920-00H9VEPFMQFAURYCA6L2/fig8.jpg Feature Essays - “Take me Back to the Good Old Days”: Racism, Berlin Wool Work, and Comfort - Make it stand out Figure 8: Image of two stitched potholders saying, “Any Holder but a Slave Holder. Photo Courtesy of the Chicago Historical Society. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1635509356177-N4Y7HFZFYXNVEV2C01RN/fig9.jpg Feature Essays - “Take me Back to the Good Old Days”: Racism, Berlin Wool Work, and Comfort - Make it stand out Figure 9: Table, 1830-1850, front view. Courtesy of the Winterthur Museum. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1635509359314-AD5D9IML1Y8OAB9S6KFU/fig10.jpg Feature Essays - “Take me Back to the Good Old Days”: Racism, Berlin Wool Work, and Comfort - Make it stand out Figure 10: Table, 1830-1850, base view, including legs. Courtesy of the Winterthur Museum. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1635509362998-2RA8IXRGORQ57SPGYHS3/fig11.jpg Feature Essays - “Take me Back to the Good Old Days”: Racism, Berlin Wool Work, and Comfort - Make it stand out Figure 11: Right side view of table cover. Photo by author, courtesy of the Winterthur Museum https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1635509427904-LW95JLZSO0MO8OM72HT6/fig12.jpg Feature Essays - “Take me Back to the Good Old Days”: Racism, Berlin Wool Work, and Comfort - Make it stand out Middle view of table cover. Image taken by author, courtesy of the Winterthur Museum. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1635509521870-0YGFXFAXZNWPBRLYMRJY/fig13.jpg Feature Essays - “Take me Back to the Good Old Days”: Racism, Berlin Wool Work, and Comfort - Make it stand out Figure 13: Minstrel slipper pattern featuring a man playing an instrument and a bear dancing. _Goubaud, Adolphe. Madame Goubaud's Album of Needlework. Office of the "Englishwoman's domestic magazine", 1866. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1635509564059-JRYCHCEAB1IFSG4KOO1T/fig14.jpg Feature Essays - “Take me Back to the Good Old Days”: Racism, Berlin Wool Work, and Comfort - Make it stand out Figure 14: Cushion cover 2003.0050, Courtesy of the Winterthur Museum. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1635509587559-HT2C7LIBVO1H6OJISRTT/fig15.jpg Feature Essays - “Take me Back to the Good Old Days”: Racism, Berlin Wool Work, and Comfort - Make it stand out Figure 15: Picture of 1879 Parlor, black and white featuring four people in the space. Grier, Katherine. Culture and Comfort Parlor Making and Middle-Class Identity, 1850-1930. Washington (D.C.), DC: Smithsonian Institution Press, 1997. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1635509627738-CGAKUS8WNFN2VQUTKMOG/fig17.jpg Feature Essays - “Take me Back to the Good Old Days”: Racism, Berlin Wool Work, and Comfort - Make it stand out Figure 16: Berlin wool work table cover featuring nine vignettes of daily life in beige tones. 1965.2378, courtesy of the Winterthur Museum https://cmsmc.org/publications/close-encounters monthly 0.5 2021-10-15 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1634211166232-Y8VVNQ5YIXBKPK82XJTU/Screen+Shot+2021-10-14+at+7.31.40+AM.png Feature Essays - Close Encounters: - Make it stand out Figure 1. Johannes Vermeer, The Milkmaid, oil on canvas, 1600, Rijksmuseum, purchase with the support of the Rembrandt Association. https://cmsmc.org/publications/museum-orientalism-2 monthly 0.5 2021-10-08 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1633703130903-FD8XREDAWQE17LEXZ41E/ward1.png Feature Essays - Museum Orientalism: - Make it stand out Figure 1: Map of the Metropolitan Museum of Art First Floor from, Guide to the Halls and Galleries of the Metropolitan Museum of Art (New York: The Metropolitan Museum of Art, 1894). The index labels the galleries as follows: 1. Hall of Modern Statuary, 2. Corridor of Wrought Iron and Bronzes, 3. Hall of Cypriot and Egyptian Antiquities, 4. Pavilion of Greek and Cypriot Terra Cottas, 5. Hall of Sarcophagi and Cypriot Statuary, 6. Pavilion of Egyptian Sculptural Casts, 7. Hall of Assyrian and Archaic Greek Sculptural Casts, 8. Hall of Greek Sculptural Casts (not yet open to the public), 9. Hall of Hellenistic Greek, Roman, and Renaissance Sculptural Casts (not yet open to the public), 10. Pavilion of Italian and German Renaissance Sculptural Casts (not yet open to the public), 11. Corridor of Ancient and Mediaeval Bronze Reproductions, 12. Hall of Willard Architectural Casts, 13. Hall of Willard Architectural Casts, 14. Pavilion of Carved Wood, and Greek and Roman Antiquities, 15. Hall of Ancient Pottery and Glass. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1633703273589-J4VRNO391SUHBT46XXT7/ward2.png Feature Essays - Museum Orientalism: - Make it stand out Figure 2: Map of the Metropolitan Museum of Art Second Floor from, Guide to the Halls and Galleries of the Metropolitan Museum of Art (New York: The Metropolitan Museum of Art, 1894). The index labels the galleries as follows: 1. Gallery of Paintings by Old Masters, 2. Gallery of Paintings, 3. Gallery of Chinese Porcelain, 4. Gallery of Drawings by Old Masters, Etching and Photographs, 5. Gallery of Paintings, 6. Marquand Gallery of Paintings by Old Masters of the Dutch and English Schools, 7. Gallery of Paintings, 8. Coles Gallery, 8a., 8b. Alcove of Water Color Paintings, 9. Catharine Lorillard Wolfe Gallery of Paintings, 10. Catharine Lorillard Wolfe Gallery of Paintings, 11. Gallery of Memorials of Washington, Franklin and Lafayette, 12. Gallery of Modern Paintings, 13. Gallery of Modern Paintings, 14. Gallery of Metallic Reproductions, 15. Gallery of the E. C. Moore Bequest, 16. Reserved Gallery of Temporary Exhibits, 17. Gallery of Chinese Porcelain, 18. Gallery of Objects of Japanese Art, etc. 19. Gallery of Old Laces, 20. Gallery of Japanese Bronzes and Pottery, 21. Gallery of Japanese Porcelain, 22. Gallery of Gold and Silver, Gems, Miniatures, Cylinders, Coins, etc. 23. Gallery of Fans and Textile Fabrics, 24. Gallery of European Porcelain, 25. Gallery of Oriental and European Ivories, 26. Gallery of Miscellaneous Objects, 27. Gallery of Musical Instruments, 28. Gallery of Musical Instruments, 29. Gallery of American Antiquities. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1633703309777-VS91BE1FWU2ROMQVUMXK/ward3.png Feature Essays - Museum Orientalism: - Make it stand out Figure 3: Plan of the Museum of Fine Arts, Boston First Floor from, “Back Matter,” Museum of Fine Art Bulletin 1, No. 3 (1903): 22. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1633703332069-9WI870RFRP6M5T5FHLVP/ward4.png Feature Essays - Museum Orientalism: - Make it stand out Figure 4: Map of the Metropolitan Museum of Art First Floor from, Guide to the Halls and Galleries of the Metropolitan Museum of Art (New York: The Metropolitan Museum of Art, 1904). The index labels the galleries as follows: 1. Hall of Modern Statuary, 2. Corridor of Modern Statuary, 3. Exhibition Room, 4. The Huntington Collection of Memorials of Washington, Franklin and Lafayette, 5. American Antiquities, 6. American Antiquities, 7. Modern Bronze Sculptures, 8. Etruscan and Greek Antiquities, 9. Corridor of Modern Statuary, 10. Mural Paintings from Boscoreale, 11. Exhibition Room, 12. Furniture Room, 13. Egyptian Antiquities, 14. Cypriot Antiquities, 15. Cypriot and Egyptian Antiquities, 16. Architectural Plaster Casts, 17. Architectural Plaster Casts, 18. Cypriot Antiquities, 19. Cypriot Antiquities, 20. Ancient, Mediaeval and Modern Glass, 21. Plaster Casts and Della Robbia Sculptures, 22. Plaster Casts of German and Flemish Renaissance Sculptures, 23. Plaster Casts of Italian Renaissance Sculptures, 24. Plaster Casts of French Mediaeval and Renaissance Sculptures, 25. Plaster Casts of Greco-Roman and Roman Sculpture, 26. Plaster Casts of Pergamene, Hellenistic and Hellenic Sculptures, 27. Plaster Casts of Parthenon and Attic Sculptures, 28. Skopas Sculptural Casts in Plaster and Herculaneum Reproductions of Bronze, 29. Plaster Casts of Olympian Sculptures, 30. Plaster Casts of Archaic Greek and Assyrian Sculptures, 31. Plaster Casts of Egyptian and Persian Sculptures, 32. Architectural Plaster Casts and Models. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1633703393891-13UD8R8EDRSUN9DKM4Q7/WARD5.png Feature Essays - Museum Orientalism: - Make it stand out Figure 5: Plan of the Museum of Fine Arts, Boston Second Floor from, “Back Matter,” Museum of Fine Art Bulletin 1, No. 3 (1903): 22. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1633703443154-RGSUPNWS4EVE7X0L3C28/ward6.png Feature Essays - Museum Orientalism: - Make it stand out Figure 6: Map of the Metropolitan Museum of Art Second Floor from, Guide to the Halls and Galleries of the Metropolitan Museum of Art (New York: The Metropolitan Museum of Art, 1904). The index labels the galleries as follows: 1. Oriental Collection, 2. Exhibition Gallery (not yet occupied), 3. Exhibition Gallery (not yet occupied, 4. The Heber R. Bishop Collection of Jade, 5. European Porcelain, 6. Collection of Chinese Porcelain, loaned by Mr. J. Pierpont Morgan, 7. Japanese Lacquers and Bronzes, 8. Collection of Japanese Armor, 9. The Clarence Cary (loaned) Collection of Chinese Porcelain and Bronzes, 10. Exhibition Gallery (not yet occupied), 11. Gallery of Paintings: Dutch and Flemish Schools, 12. Gallery of Paintings: Dutch and Flemish Schools, 13. Gallery of Paintings, 14. Gallery of Paintings: Marquand Collection of Old Masters and Pictures of the Early English Schools, 15. Gallery of Paintings: Hearn Collection, 16. Gallery of Paintings, 17. Gallery of Paintings: Wolfe Collection, 18. Gallery of Paintings: Wolfe Collection, 19. Gallery of Paintings, 20. Gallery of Paintings, 21. Gallery of Paintings, 22. Drawings by Old Masters, 23. Collection of Iron and Bronze, 24. Metallic Reproductions, 25. Exhibition Gallery: Temporary Exhibition of Paintings, 26. Gallery of the E. C. Moore Bequest, 27. Gallery of Chinese Porcelain, 28. Arms and Armor, 29. Old Laces, 30. Japanese Porcelain and Objects of Art, 31. Chinese and Japanese Pottery and Porcelain, 32. Gallery of Gold and Silver, Gems, Miniatures, Cylinders, Coins, etc., 33. Embroideries and Fans, 34. Miscellaneous Objects of Art, 35. Musical Instruments, presented by Mrs. John Crosby Brown, 36. Musical Instruments, presented by Mrs. John Crosby Brown, 37. Musical Instruments, presented by Mrs. John Crosby Brown, 38. Musical Instruments, presented by Mrs. John Crosby Brown, 39. Musical Instruments, presented by Mrs. John Crosby Brown. https://cmsmc.org/publications/museum-orientalism monthly 0.5 2021-10-08 https://cmsmc.org/publications/corrigendum-wahlen monthly 0.5 2021-09-24 https://cmsmc.org/publications/monstrous-women monthly 0.5 2021-08-20 https://cmsmc.org/publications/her-perfection-is-my-wound monthly 0.5 2021-09-24 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1628099650144-L91U9VXMCKGLLYRJE9EF/fig1.jpeg Feature Essays - Her Perfection is My Wound: - Make it stand out Figure 1. La Demie Poupée, Hans Bellmer, (1971 Courtesy of Art Gallery of New South Wales Purchased 1996 © Hans Bellmer/ADAGP. © 2021 Artists Rights Society (ARS), New York/ ADAGP Paris) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1628100044024-TIUMNYTA7QA85AYSVMQG/Fig2.jpeg Feature Essays - Her Perfection is My Wound: - Make it stand out Figure 2: L’Aigle Mademoiselle, 1968 (© 2021 Artists Rights Society (ARS), New York/ ADAGP Paris) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1628100441235-O4W4HEA3KI1S0SV44163/Fig3.jpeg Feature Essays - Her Perfection is My Wound: - Make it stand out Figure 3: La Poupée, 1938-1939 (Art Gallery of New South Wales Purchased 2001 © Hans Bellmer/ADAGP. Licensed by Copyright Agency © 2021 Artists Rights Society (ARS), New York/ ADAGP Paris) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1628100486015-NNP388VQU6P0YUCS6HJO/fig4.jpeg Feature Essays - Her Perfection is My Wound: - Make it stand out Figure 4: Untitled, from La Poupée series, 1935 (© 2021 Artists Rights Society (ARS), New York/ ADAGP Paris) https://cmsmc.org/publications/hidden-histories monthly 0.5 2021-08-26 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1627647646378-6P0522PLYQJ200LHIOSR/image1.jpeg Feature Essays - Manufacturing Heritage: - Make it stand out Figure 1. Benedetto Maiano, Palazzo Strozzi, exterior facade, c. 1489-1536. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1627647701216-BLI6I5CHRE2MGWLMEB4J/image3.jpeg Feature Essays - Manufacturing Heritage: - Make it stand out Figure 2. “Rome Floodlit in Honour of Herr Hitler: A Spectacular Welcome,” The Illustrated London News, May 14, 1938. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1627647741681-O0SU45U4UV6S3THCTI4A/image2.jpeg Feature Essays - Manufacturing Heritage: - Make it stand out Figure 3. Piazzale Michelangelo decorated in anticipation of Hitler’s visit to Florence in May 1938. Bayerische Staatsbibliothek München/Bildarchiv. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1627647829030-2UMU6ETK5PSMR5GSD3YY/image4.jpeg Feature Essays - Manufacturing Heritage: - Make it stand out Figure 4. From the Piazzale Michelangelo. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1627647832003-YTA02NF847HG054UIOJH/image5.jpeg Feature Essays - Manufacturing Heritage: - Make it stand out Figure 5. Author’s photograph, 2017, compared to the same location as it appeared in May 1938. https://cmsmc.org/publications/culture-community-wechat monthly 0.5 2021-07-23 https://cmsmc.org/publications/an-honest-days-work-2 monthly 0.5 2021-07-20 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1626432618965-6PLD3B2ZGTRCTXFK0WJA/image2+%282%29.png Feature Essays - An Honest Day’s Work: - Make it stand out Figure 3: Screenshot of Tarrey Town in The Legend of Zelda: Breath of the Wild, © Nintendo https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1626432632058-ADSS3VNGU8B04X5TSLNJ/image1+%281%29.jpg Feature Essays - An Honest Day’s Work: - Make it stand out Figure 4: Promotional image for Fallout 4, © Bethesda https://cmsmc.org/publications/an-honest-days-work monthly 0.5 2021-07-16 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1626431664600-OOMS9WOSM8HT3ESJIQVK/image2+%281%29.png Feature Essays - An Honest Day’s Work: - Make it stand out Figure 1: Promotional Image for The Witcher III: Blood & Wine © CD Projekt Red https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1626431728912-5ZECPMR82WBPI96VSBJP/image1.jpg Feature Essays - An Honest Day’s Work: - Make it stand out Figure 2: Screenshot of a house in The Elder Scrolls V: Hearthfire, © Bethesda https://cmsmc.org/publications/enigmatic-lives monthly 0.5 2021-07-10 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1625844767462-V3RXX4OPOOO1NV862OSS/Fig1.jpeg Feature Essays - Enigmatic Lives: - Make it stand out Figure 1: The reconstructed Trundholm Sun Chariot, showing the gilded ‘sun’ side of the disk. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1625844817629-7224CVPJ25EH70EGQR5W/fig3.jpeg Feature Essays - Enigmatic Lives: - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1625844814841-MTFBOBN0TPYW4Q5L99PJ/fig2.jpeg Feature Essays - Enigmatic Lives: - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1625845006120-RVB4MF9U4KX6H7LN6YLE/fig4.jpeg Feature Essays - Enigmatic Lives: - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1625845008622-QOL96DP7UVB99MS4O34M/fig5.jpeg Feature Essays - Enigmatic Lives: - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://cmsmc.org/publications/dual-lives-northwest-coast-masks monthly 0.5 2021-07-02 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1625186907251-G6TAFYWZ7KFPCCYWXXJO/image1_hamilton.jpeg Feature Essays - The Dual Life of Northwest Coast First Nations Masks in Western Institutions: - Make it stand out Fig. 1 Kwakwa̱ka̱ʼwakw Territory. Eric Leinberger for U’mista Cultural Society. https://cmsmc.org/publications/crafting-cottagecore monthly 0.5 2021-06-25 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1624540305217-OHVWTG3X8CW77XSTN7OS/image2.png Feature Essays - Crafting Cottagecore : - Make it stand out Figure 1. Instagram user @cottage.witchgoblin, Photograph (unknown photographer), Instagram, November 17, 2020. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1624540531715-RAW6OYJ7IAN2NE6Z8PZH/image1.png Feature Essays - Crafting Cottagecore : - Make it stand out Figure 2. Instagram user @fairies_and_frogs, Photograph (unknown photographer), Instagram, November 30, 2020. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1624540591380-Q66LT8ME3HSC4KSUR3ME/image3.png Feature Essays - Crafting Cottagecore : - Make it stand out Figure 3. William Morris, Tulip, Roller printed cotton, 76.1 x 95.3 cm, 1875. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1624540625211-UTIY3HTAR8TJRDGTHNSF/image4.png Feature Essays - Crafting Cottagecore : - Make it stand out Figure 4. Instagram user @nestfed, Photograph (unknown photographer), Instagram, December 4, 2020. https://cmsmc.org/publications/navigating-copyright-law monthly 0.5 2021-06-18 https://cmsmc.org/publications/washington-rallying-the-troops monthly 0.5 2021-06-14 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1623241974912-V4MJBTQXZNAFEI603V8R/Figure+1.png Feature Essays - Washington Rallying the Troops at Monmouth (1857): - Make it stand out Figure 1: Emanuel Gottlieb Leutze. Washington Rallying the Troops at Monmouth, 1857. Oil on canvas. 52 x 87 in. (132.1 x 221 cm). Monmouth County Historical Association. Gift of the Descendants of David Leavitt, 1937. Object Number 1029. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1623242236549-O1X4TJ9L49A247ZCL43M/fig+2.jpeg Feature Essays - Washington Rallying the Troops at Monmouth (1857): - Make it stand out Figure 2: Emanuel Leutze. Washington Rallying the Troops at Monmouth, 1853-54, oil on canvas, 156 x 261 inches, University of California, Berkeley Art Museum and Pacific Film Archive, gift of Mrs. Mark Hopkins, 1882.1 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1623242294445-ALBOZCD1ZHELZHC10WF9/fig3.jpeg Feature Essays - Washington Rallying the Troops at Monmouth (1857): - Make it stand out Figure 3 : Julius Amatus Roeting. Emanuel Leutze, 1850. Öl auf Leinwand. 119,5 x 91,5 cm Inv.: B 406. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1623242335044-S5FSA4I6DWAPRVJGCE6K/fig4.jpeg Feature Essays - Washington Rallying the Troops at Monmouth (1857): - Make it stand out Figure 4 : 189 George Washington Life Mask ; Life Mask, about 1835-1845. George Washington, attributed to Auguste Lenci. Philadelphia, Pennsylvania. Plaster. 189. The Daughters of the American Revolution Museum, Washington DC. Gift of Olivia Briggs. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1623242537741-BF6E47JI58MT75UQMJ3O/fig5.jpeg Feature Essays - Washington Rallying the Troops at Monmouth (1857): - Make it stand out Figure 5: Emanuel Leutze. Washington Crossing the Delaware, 1851. Oil on canvas. 149 x 255 in. (378.5 x 647.7cm). Metropolitan Museum of Art, Gift of John Stewart Kennedy, 1897. 97.34. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1623242878426-DDC01U872UWPCN0W4RLG/fig6.jpeg Feature Essays - Washington Rallying the Troops at Monmouth (1857): - Make it stand out Figure 6: Detail of Emanuel Leutze, Washington Rallying the Troops at Monmouth, 1853-54, oil on canvas, 156 x 261 inches, University of California, Berkeley Art Museum and Pacific Film Archive, gift of Mrs. Mark Hopkins, 1882.1 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1623242883099-INM1H90MAZL62SO36P5V/fig7.png Feature Essays - Washington Rallying the Troops at Monmouth (1857): - Make it stand out Figure 7: Detail of Emanuel Gottlieb Leutze, Washington Rallying the Troops at Monmouth, 1857. Oil on canvas. 52 x 87 in. (132.1 x 221 cm). Monmouth County Historical Association. Gift of the Descendants of David Leavitt, 1937. Object Number 1029. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1623243277010-HHZCFMF7AK79XPGASWDK/fig8.jpeg Feature Essays - Washington Rallying the Troops at Monmouth (1857): - Make it stand out Figure 8: Samuel Lovett Waldo (American, 1783-1861). Maria Clarissa Leavitt, ca. 1820-1825. Oil on panel, 33 3/16 x 25 1/2 in. (84.3 x 64.8 cm). Brooklyn Museum, Gift of Anna S. Delafield, Fisher Howe, Lawrence Howe, and R. Warren Howe in memory of their brother, David Leavitt Howe (1915-1995), 1996.43.2 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1623243280857-436QDC2PKZ3M0XRH4T9J/fig9.jpeg Feature Essays - Washington Rallying the Troops at Monmouth (1857): - Make it stand out Figure 9: Samuel Lovett Waldo (American, 1783-1861). David Leavitt, ca. 1820-1825. Oil on panel, 33 1/16 x 25 9/16 in. (83.9 x 65 cm). Brooklyn Museum, Gift of Anna S. Delafield, Fisher Howe, Lawrence Howe, and R. Warren Howe in memory of their brother, David Leavitt Howe (1915-1995), 1996.43.1 https://cmsmc.org/publications/performativity-of-mourning-jewellery monthly 0.5 2021-06-09 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1622725916556-NLQ6OAMF5SU0776TTAXV/Fig+1.jpeg Feature Essays - The Performativity of Hair in Victorian Mourning Jewellery - Make it stand out Figure 1. Ring commemorating George the 7th Earl of Waldegrave, from the Victoria and Albert Museum © Victoria and Albert Museum, London. Must be maximum 768pi digital use/5 year license https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1622726110247-IB6ZMTMAWPC7DWRX5T0H/fig2.png Feature Essays - The Performativity of Hair in Victorian Mourning Jewellery - Make it stand out Figure 2: Ring commemorating George Chapman from the Victoria and Albert Museum, made by Henry Hobson and Son of Birmingham © Victoria and Albert Museum, London. Must be maximum 768pi digital use/5 year license https://cmsmc.org/publications/archaeologist-adventurer-archetype monthly 0.5 2021-05-28 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1622113675314-QOJ9HNJ38K58YXJEWXKK/John_Pendlebury.jpg Feature Essays - Archaeologist, Adventurer, and Archetype: - Make it stand out Figure 1. John Pendlebury at Amarna in 1934. Public Domain Image. https://cmsmc.org/publications/unfinished-christ monthly 0.5 2021-05-21 https://cmsmc.org/publications/rust-flavored-air monthly 0.5 2021-05-14 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1620903389393-M60DX4TJ4NAWQHUAL0JL/fig.1.jpg Feature Essays - “Rust-Flavored Air”: - Make it stand out Fig. 1. Charles Ephraim Burchfield, Hillside Homes, 1920. Watercolor and gouache on paperboard, 26 .19 in. (66 .48.3 cm). Private collection. Photograph courtesy of Sotheby’s, Inc. © 2021; reproduced with permission of the Charles E. Burchfield Foundation. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1620903426273-IN8NF9Q9T8XNUYV1EU60/fig.2.jpg Feature Essays - “Rust-Flavored Air”: - Make it stand out Fig. 2. [A trolley car making its way down California Hollow], c. 1905–31. East Liverpool Historical Society, East Liverpool, Ohio. Photograph courtesy of Timothy Brookes; reproduced with permission of Timothy Brookes. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1620903460679-1OA1SHG4SLY4RJYPIXT6/fig.3.jpg Feature Essays - “Rust-Flavored Air”: - Make it stand out Fig. 3. Postcard of The Thompson Pottery, East Liverpool, Ohio, c. 1920. East Liverpool Historical Society, East Liverpool, Ohio. Photograph courtesy of Timothy Brookes; reproduced with permission of Timothy Brookes. https://cmsmc.org/publications/tale-of-two-murals monthly 0.5 2021-05-22 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1620140307953-79JH5GWA5C13Z0U07GPN/Figure+1.JPG Feature Essays - A Tale of Two Murals: Figure 1. Carlos Fresquez and Metropolitan State University of Denver students. Su Teatro murals (east wall). 2012. Santa Fe Drive and 7th Avenue, Denver, CO. Photo by author. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1620140823370-8NXGRW45I7FQLAP2IN44/Figure+2.JPG Feature Essays - A Tale of Two Murals: Figure 2. Pat Milbery, Pat McKinney, and Jason T. Graves. Love this City. Mural. 2016. Santa Fe Drive and 7th Avenue, Denver, CO. Photo by author. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1620140830967-VAXM7X6DC5LJPPCOTCRF/Figure+3.jpeg Feature Essays - A Tale of Two Murals: Figure 3. Emanuel Martinez assisted by community members. La Alma. Mural. 1978. La Alma Recreation Center, Denver, CO. Photo by author. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1620140849860-93RDO1KTUP2SYUHWTOD6/Figure+4.JPG Feature Essays - A Tale of Two Murals: Figure 4. Carlos Fresquez and Metropolitan State University of Denver students. Su Teatro murals (south wall). 2012. Santa Fe Drive and 7th Avenue, Denver, CO. Photo by author. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1620140864814-ENEO1VHVO5D4Q6KKX0MY/Figure+5.JPG Feature Essays - A Tale of Two Murals: Figure 5. Carlos Fresquez and Metropolitan State University of Denver students. Su Teatro murals (south wall). 2012. Santa Fe Drive and 7th Avenue, Denver, CO. Photo by author. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1620140873314-NFGN58JJ3AC9E3D8HZ93/Figure+6.JPG Feature Essays - A Tale of Two Murals: Figure 6. Carlos Fresquez and Metropolitan State University of Denver students. Su Teatro murals (north wall). 2012. Santa Fe Drive and 7th Avenue, Denver, CO. Photo by author. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1620140875574-TZXMEQZ6FON97YWGUGK6/Figure+7.JPG Feature Essays - A Tale of Two Murals: Figure 7. Carlos Fresquez and Metropolitan State University of Denver students. Su Teatro murals (north wall). 2012. Santa Fe Drive and 7th Avenue, Denver, CO. Photo by author. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1620140873119-GC2VAHJXI1QMK8A7P6K7/Figure+8.jpeg Feature Essays - A Tale of Two Murals: Figure 8. Pat Milbery. Love this City. Mural. 2016. 12th Avenue and Acoma Street, Denver, CO. Photo by author. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1620140876458-43W955QBWZGROTPE28FP/Figure+9.jpeg Feature Essays - A Tale of Two Murals: Figure 9. Pat Milbery, Pat McKinney, Jason T. Graves, and Remington Robinson. Love this City. Mural. 2016. Broadway Avenue and Arapahoe Street, Denver, CO. Photo by author. https://cmsmc.org/publications/archivists-creative-act monthly 0.5 2021-04-30 https://cmsmc.org/publications/cambodian-artistic-resilience monthly 0.5 2021-04-29 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1619102557040-202P1Z5R9I8ORHYRNKDT/fig.1.png Feature Essays - Cambodian Artistic Resilience: Figure 1: May, Sharon. Flowers of the World, Dance Practice. Black and white photography. 1985. Cambodia Peace Gallery. Battambang, Cambodia. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1619102572055-SEYDBPJSNEIF3XG7X45L/fig2.png Feature Essays - Cambodian Artistic Resilience: Figure 2: Cambodia Peace Gallery, Cambodian Artistic Resilience, Devotion, Dance Practice (object label), currently on display https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1619102593387-GYW38J8PXUDO79XPF8K6/fig.3.png Feature Essays - Cambodian Artistic Resilience: Figure 3: May, Sharon. Fishing Dancer with Angrut, black and white photography. 1985. Cambodia Peace Gallery. Battambang, Cambodia. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1619102614676-3LVZH3HGIA1UK8MAWJRK/fig4.png Feature Essays - Cambodian Artistic Resilience: Figure 4: May, Sharon. Fishing Dancers Courting. Black and white photography. 1985. Cambodia Peace Gallery. Battambang, Cambodia. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1619102631482-WXA9OMGAUHFVBN1TWRI1/fig5.png Feature Essays - Cambodian Artistic Resilience: Figure 5: May, Sharon. Girl Learning Traditional Khmer Kong Vong. Black and white photography. Cambodia Peace Gallery. Battambang, Cambodia. 1985. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1619102645108-SN6E2GDN80U7NR0AMB20/fig6.png Feature Essays - Cambodian Artistic Resilience: Figure 6: Cambodia Peace Gallery, Cambodian Artistic Resilience, Girl Learning Traditional Khmer Kong Vong, (object label), currently on display. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1619102694481-3GFDKFP3JMOIIMMWDLGW/fig7.png Feature Essays - Cambodian Artistic Resilience: Figure 7: Cambodia Peace Gallery, Cambodian Artistic Resilience, Flowers of the World, Dance Practice (object label), currently on display. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1619102717710-XSJNLQF9SYYE7MTMVMED/fig8.png Feature Essays - Cambodian Artistic Resilience: Figure 8: Cambodia Peace Gallery, Cambodian Artistic Resilience, Voan Savay Teaching Young Dancer in Site II, (object label), currently on display. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1619102760769-HOT6Z0BRDD4TXBU8DZB9/fig10.png Feature Essays - Cambodian Artistic Resilience: Figure 9: May, Sharon. Circle of Hands, Pchum Benh Festival. Black and white photography. Cambodia Peace Gallery. Battambang, Cambodia, 1985. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1619102747348-F7R4GGHU6RDBS3EFNOGQ/fig9.png Feature Essays - Cambodian Artistic Resilience: Figure 10: Cambodia Peace Gallery, Cambodian Artistic Resilience, Circle of Hands, Pchum Behn Festival, (object label), currently on display. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1619102772959-ABJDLBJAMPIBG91TG9HU/fig11.png Feature Essays - Cambodian Artistic Resilience: Figure 11: Chamrong, Khom. Imagining Cambodia with no War. Oil on canvas. Cambodia Peace Gallery. Battambang, Cambodia. https://cmsmc.org/publications/material-culture-in-an-increasingly-digital-world-stt47 monthly 0.5 2021-04-16 https://cmsmc.org/publications/material-culture-in-an-increasingly-digital-world monthly 0.5 2021-04-16 https://cmsmc.org/publications/a-portrait-of-death monthly 0.5 2021-04-02 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1617288761650-MPC70YX0CEI5X06P0SUT/Fig_1.jpeg Feature Essays - A Portrait of Death - Figure 1: Garitan , G. Transi De Harcigny. November 9, 2014. Wikimedia Commons. https://commons.wikimedia.org/wiki/File:Transi_de_Harcigny_00969.JPG. Licensed under CC-BY-SA 4.0 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1617288608856-VCZRZTH1654EUSOHKJ3F/fig_2.jpeg Feature Essays - A Portrait of Death - Figure 2: Vassil. Tomb of Guilluame De Harcigny . February 28, 2008. Wikimedia Commons. https://en.wikipedia.org/wiki/Guillaume_de_Harsigny#/media/File:Gisant_Guillaume_de_Harcigny_Mus%C3%A9e_de_Laon_280208_1.jpg. https://cmsmc.org/publications/th-power-of-museum-contexts monthly 0.5 2021-03-26 https://cmsmc.org/publications/a-tea-set monthly 0.5 2021-03-19 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1615990355737-XF77LY1KEXVG2U7MB4VQ/fig1.jpeg Feature Essays - A Tea Set, A Bell, and A Wall: Figure 1: Smithsonian Institution, “Tea Pot,” Smithsonian Institution, http://collections.si.edu/search/detail/edanmdm:nmah_300746?date.slider=1780s%2C1850s&q=tea&fq=place%3A%22United+States%22&record=32&hlterm=tea&inline=true; “William Duncan McKim Photograph Collection.” Accessed November 24, 2019. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1615990517132-HFZSQH9RTYVNZ0BQQN53/fig2.jpg Feature Essays - A Tea Set, A Bell, and A Wall: Figure 2: Boucher, Jack E., “Kitchen Servant Signal Bells,” 1972, Historic American Building Surveys Collection, Library of Congress Prints and Photographs Division Washington, D.C. https://www.loc.gov/pictures/item/pa1164.photos.136755p/ https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1616097941990-YJ3E3I7S4URM3LXFZY14/the+octagon+outer+wall.jpg Feature Essays - A Tea Set, A Bell, and A Wall: Figure 3: Historic American Buildings Survey, Creator, William Thornton, George Washington, James Madison, John Tayloe, American Institute Of Architects, J E Fauber, et al., Brostrup, John O, photographer. Octagon House,1741 New York Avenue, Northwest, Washington, District of Columbia, DC. Washington D.C. Washington, 1933. translated by Lindstrom, F Jmitter Documentation Compiled After. Photograph. https://www.loc.gov/item/dc0195 https://cmsmc.org/publications/machines-in-the-garden monthly 0.5 2021-05-07 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1615514485095-SS4BEE7K2PP6Q6RCURUE/Fig1.jpg Feature Essays - Machines in the Garden: Figure 1. The Lovell Heath House. (Photograph by Yukio Futagawa, 1927.) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1615514530319-K0D7ZESHW25VT1AM5KK2/fig2.jpg Feature Essays - Machines in the Garden: Figure 2. The VDL Research House. (Photograph in Architectural Forum, November 1934.) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1615514556127-ALN53IRVU8QT7R8YVJQO/fig3.jpg Feature Essays - Machines in the Garden: Figure 3. Plans for the precast reinforced concrete sections in the VDL house. (Photograph in Architectural Forum, November 1934.) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1615514653499-HAW5MWZUFKLLJB93SM9C/fig4.jpg Feature Essays - Machines in the Garden: Figure 4. Lot plans for the VDL house. (Photograph in Architectural Forum, November 1934.) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1615514726948-MWFXZ4H3JL7XIM2RYQF6/fig5.jpg Feature Essays - Machines in the Garden: Figure 5. Folding doors between living room and sleeping porch, VDL House. (Photograph in Architectural Forum, November 1934.) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1615514753345-N2FIP22OQGMRAK7D3W4B/fig6.jpg Feature Essays - Machines in the Garden: Figure 6. Plans for flush ceiling light. (Photograph in Architectural Forum, November 1934.) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1615514796453-36T8S99T5WXLU9M9858Q/fig7.jpg Feature Essays - Machines in the Garden: Figure 7. Woman seated in the VDL House, 1932. (Photograph in Architectural Forum, November 1934.) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1615515119197-C2TT4J660BLOR1E9M3D5/fig8.jpg Feature Essays - Machines in the Garden: Figure 8. Plans for the Von Sternberg House, 1935. (Photograph by Yukio Futagawa.) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1615515160110-14ZZF9GNROOX97D66AZH/fig9.jpg Feature Essays - Machines in the Garden: Figure 9. Curved outdoor court at the Von Sternberg House, 1935. (Photograph by Yukio Futagawa.) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1615515174886-1I5KPFJ5KIZ3BP99IDCG/fig10.jpg Feature Essays - Machines in the Garden: Figure 10. Exterior of the Von Sternberg House, 1935. (Photograph by Yukio Futagawa.) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1615515196992-SAWA182EUALU1SQRZBYJ/fig11.jpg Feature Essays - Machines in the Garden: Figure 11. Interior shot of the Von Sternberg House, 1935. (Photograph by Yukio Futagawa.) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1615515224895-SRCJFLPZK45CEDK487IU/fig12.jpg Feature Essays - Machines in the Garden: Figure 12. Exterior shots of the Kum House, 1936. (Photograph in Architectural Forum, April 1936.) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1615515250867-QVA4IFGP1D60YENC7DOV/fig13.jpg Feature Essays - Machines in the Garden: Figure 13. Miller/Mensendieck House, 1937. (Photograph in California Arts and Architecture, May 1937.) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1615515282269-4DEVWVBSWU7MB7VQ6BQA/fig14.jpg Feature Essays - Machines in the Garden: Figure 14. Glass panels in the Miller/Mensendieck House, 1937. (Photograph in California Arts and Architecture, May 1937.) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1615515317126-PXVDM4NJ0OOPUWORI7WK/fig15.jpg Feature Essays - Machines in the Garden: Figure 15. The Davis House. (Photograph in California Arts and Architecture, August 1938.) https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1615515349982-OU072ET507X8OBMK6CMA/fig16.jpg Feature Essays - Machines in the Garden: Figure 16. The Ward-Berger House. (Photographs by Julius Shulman.) https://cmsmc.org/publications/cultural-consumption-scarab-beetle monthly 0.5 2021-03-05 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1614527932328-9W854ZMX9THCYE20OTUH/image1.jpg Feature Essays - Cultural Consumption, Colonialism, and Nationalism in an Egyptian Alabaster Scarab Beetle Figure 1. My carved alabaster scarab beetle. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1614528031442-JVLMEZCHYB65SCN9925U/image2.jpg Feature Essays - Cultural Consumption, Colonialism, and Nationalism in an Egyptian Alabaster Scarab Beetle Figure 2. Carved symbols on the bottom of the scarab. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1614528120858-F3OTSE8TRGU9QVJ6O6OE/image3.jpg Feature Essays - Cultural Consumption, Colonialism, and Nationalism in an Egyptian Alabaster Scarab Beetle Figure 3. Khan el Khalili, with many souvenirs on display for tourists. https://cmsmc.org/publications/in-the-absence-of-body-hair monthly 0.5 2021-02-27 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1614279010256-P02FBRHYHBA0UKFEJI58/image4.png Feature Essays - In the Absence of Body Hair: (fig.1) “Reclining Nude” Signed by Riza Abbasi (ca.1565-1635) Safavid period, Reign of Shah Abbas, Iran ca. 1590 illustration: 9 x 16 cm (3 5/8 × 6 9/16 in) National Museum of Asian Art, Freer & Sackler Collection, Washington D.C. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1614279397828-ZQJQ77E1Z5W6GUX3RVGT/cleopatra.png Feature Essays - In the Absence of Body Hair: (fig.2) “Cleopatra lying partly naked on a bed” Marcantonio Raimondi ca. 1515-1527, Engraving, 11.5 x 17.6 cm, Bologna, Italy, Metropolitan Art Museum, New York City https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1614279764435-VLGRN96F937OC20HU629/detail_reclining+nude.png Feature Essays - In the Absence of Body Hair: (fig.3) Detail of the letter, “Reclining Nude” Signed by Riza Abbasi (ca.1565-1635), Safavid period, Reign of Shah Abbas, Iran. ca. 1590, illustration: 9 x 16 cm (3 5/8 × 6 9/16 in), National Museum of Asian Art, D.C. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1614279906924-XM7C1V6BPCFOV0NIHKES/youth%26dervish.png Feature Essays - In the Absence of Body Hair: (fig.4) Youth and Dervish, Riza Abbasi, Second quarter of the 17th-century, Isfahan, Iran. Ink, transparent and opaque watercolor and paper, 12.7 cm x 5.4 cm, accession number: 25.68.5. Metropolitan Art Museum, New York City https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1614302888220-8YGAW56JC9DYNPEXHDUW/the+lovers.png Feature Essays - In the Absence of Body Hair: (fig.5) “The Lovers,” Riza Abbasi, Dated 1630. Safavid Period, Isfahan, Iran, Opaque watercolor, ink and gold on paper, Illustration: 17.5 x 11.1 cm. Accession number: 50.164, Metropolitan Art Museum, New York City https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1614303199560-VHIYJW0XMZHG88ZLPKNE/a+seated+youth.jpg Feature Essays - In the Absence of Body Hair: (fig.6) A Seated Youth, signed Reza ‘Abbasi, Safavid Isfahan, Iran, circa 1630. Opaque pigments on paper. Painting 7 ½ x 4 in (18.9 x 10.2 cm); folio 10⅛ x 6 ¼ in (25.4 x 16 cm). Sold in 2018 at Christie’s in London https://cmsmc.org/publications/winckelmann-revisited monthly 0.5 2021-02-19 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1613670392587-M075TXFSS7JWUW2YA489/image1+%283%29.jpg Feature Essays - Winckelmann Revisited: - Figure 1: After Leochares, Apollo Belvedere, c AD 120-140, Marble sculpture, 224 cm, Vatican Museums Pythian Apollo (APOLLO BELVEDERE) in the Vatican is a roman marble copy of a lost Greek bronze" by quapan is licensed under CC BY 2.0 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1613670392520-ANECD2E0685RV3ARFCRS/image2+%282%29.jpg Feature Essays - Winckelmann Revisited: - Figure 2: Plaster cast of the Albani relief of Antinous which was supposedly discovered at Hadrian's Villa in Tivoli in 1735 , Exhibition: Antinous: Boy made God, at the Ashmolean Museum, Oxford by Following Hadrian is licensed under CC BY-SA 2.0 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1613670394454-00MSFKW8RFZIGT27KQJG/image7.png Feature Essays - Winckelmann Revisited: - Figure 3: Andy Warhol, Excited Male Torso, 1957, Ballpoint pen drawing on paper, Galerie Daniel Blau, Munich © 2021 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1613670393018-G4FIL964RO3AYFOVKH4O/image3+%282%29.jpg Feature Essays - Winckelmann Revisited: - Figure 4: to Cleomenes, Venus de’ Medici, marble sculpture, 1st-2nd century BC, 153 cm, Uffizi Gallery, Florence, Italy, public domain image. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1613670393186-HBDMX1BYKCF51KZQ2HGM/image4+%281%29.jpg Feature Essays - Winckelmann Revisited: - Figure 5: Laocoön and His Sons, Marble Sculpture, 323 BCE – 31 CE, Vatican Museums, Vatican City. "The Laocoon (I)" by isawnyu is licensed under CC BY 2.0 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1613670393857-T1W1VMK2JQN057EJJUEL/image5+%281%29.jpg Feature Essays - Winckelmann Revisited: - Figure 6: Andy Warhol, Orange Car Crash Fourteen Times, 1963, Silkscreen ink on synthetic polymer paint on two canvases, The Museum of Modern Art (MoMA), New York. "'Orange Car Crash Fourteen Times' - Andy Warhol (1963)" by Gwen Fran is licensed under CC BY-SA 2.0 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1613670394471-JC2EGVFT5S84OUBSRYR7/image6.jpg Feature Essays - Winckelmann Revisited: - Figure 7: Andy Warhol, James Dean, 1953, Ballpoint Pen Drawing on Paper, The Brant Foundation, Greenwich, CT. "Andy Warhol, James Dean, 1957" by Mathieu Croisetière is licensed under CC BY-SA 2.0 (https://www.flickr.com/photos/endofwords/21625490094/in/photolist-yWYhMu-9WHYnH-zTZTaM) https://cmsmc.org/publications/the-kitchenaid monthly 0.5 2021-02-19 https://cmsmc.org/publications/hireling-shepherd monthly 0.5 2021-02-05 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1612140776295-7BIPR7WIJV20IW19BHHR/image1+%282%29.jpg Feature Essays - William Holman Hunt’s Hireling Shepherd: Figure 1: William Holman Hunt, The Hireling Shepherd, 1851-52, oil on canvas, 75.8 x 109.5 cm, Manchester City Galleries. Source: The Yorck Project (2002) 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH, William Holman Hunt, Public domain, via Wikimedia Commons https://cmsmc.org/publications/kid-gloves monthly 0.5 2021-02-28 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1611344282969-3NTN5NCS5SGLGGO4AKY0/image1+%281%29.jpg Feature Essays - Kid Gloves: Figure 1 – Pair of Gauntlets for a Child – Lucio Piccinino, c. 1585 Steel, gold, silver. Each approx. 7 1/8 in x 4 ½ in. The Metropolitan Museum of Art, 19.128.1-2 https://cmsmc.org/publications/metis-leather-jacket monthly 0.5 2021-02-19 https://cmsmc.org/publications/maori-spear monthly 0.5 2021-01-22 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1611153248324-7G4WEKXK4USE34L81GWQ/Maorispear_1.jpg Feature Essays - Sir John Soane’s Maori Spear Figure 1. The ‘spear’ end of the Maori Spear, where the majority of the carvings are located. A Maori spear or harpoon, n.d, Photo: © Courtesy of the Trustees of Sir John Soane’s Museum. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1611153346444-00RK2E2J09C5VR1QLRJP/MaoriSpear_2.jpg Feature Essays - Sir John Soane’s Maori Spear https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1611153366852-L6RCKX90YWJ9Z9K2O388/maorispear_3.jpg Feature Essays - Sir John Soane’s Maori Spear https://cmsmc.org/publications/autonomy-and-power monthly 0.5 2021-01-08 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1609940095984-K5V4CCCJ7PRTYU6FDBQ1/Fig.1.jpg Feature Essays - Autonomy and Power: Fig. 1) God N Trains Scribes (Vessel 56), Classic, Maya, Ceramic, H 9.7 cm; D 10.2 cm. Justin Kerr, [K 1196], Justin Kerr Maya Vase Archive, Dumbarton Oaks, Trustees for Harvard University, Washington, D.C. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1609943114997-67CYI4QB8DQQH7D1T5PG/fig.2.jpg Feature Essays - Autonomy and Power: Fig. 2) Scribal Work Vase, Late Classic, Maya, Polychrome ceramic, H: 21.5 cm; D: 13.2 cm. Justin Kerr, [K 0717], Justin Kerr Maya Vase Archive, Dumbarton Oaks, Trustees for Harvard University, Washington, D.C. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1609943855198-UHHECAO4B6F23Y14ZC11/fig.3.jpg Feature Essays - Autonomy and Power: Fig. 3) Codex-Style Cylinder Vessel with Scribes. Maya, Guatemala or Mexico, Northern Petén or Southern Campeche, 650-800 CE, Slip-painted ceramic, 5 3/10 x 4 x4 in. Los Angeles County Museum of Art, anonymous gift (M.2010.115.562) photo © Museum Associates/LACMA https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1609946262292-VKRCCV6SQS63DVFV7P2F/fig.4.jpg Feature Essays - Autonomy and Power: Fig. 4) Depiction as Maize God as Scribe (Vessel 69), Classic, Maya, Ceramic, H 12.2 cm; D 9.6 cm. Justin Kerr, [K 1185], Justin Kerr Maya Vase Archive, Dumbarton Oaks, Trustees for Harvard University, Washington, D.C. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1609947345552-9QKP8T62GAY8VDTHQYLN/fig.5.jpg Feature Essays - Autonomy and Power: Fig. 5) Scribes as Howler Monkeys (Vessel 60), Classic, Maya, Ceramic, H: 14.0 cm; D: 11.5 cm. Justin Kerr, [K 1787], Justin Kerr Maya Vase Archive, Dumbarton Oaks, Trustees for Harvard University, Washington, D.C. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1609947448172-7D5VDFX4TLXQRZT1EFT6/fig.6.jpg Feature Essays - Autonomy and Power: Fig. 6) The Princeton Vase. North America, Guatemala, Petén, Mirador Basin, Nakbé region, 670-750 CE. Maya. Ceramic with red, cream, and black slip, with remnants of painted stucco, H: 21.5 cm; D:16.6 cm. Princeton University Art Museum. Museum purchase, gift of the Hans A. Widenmann, Class of 1918, and Dorothy Widenmann Foundation https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1609949341628-KD4VABJNW4SESARU4TG7/fig%252B7%252Bhand.jpg Feature Essays - Autonomy and Power: Fig. 7) Incised bone from Burial 116, Tikal. Maya Drawing Museo Morley, Parque Nacional Tikal, Guatemala Drawing by Linda Schele © David Schele. Schele Drawing Collection of Los Angeles County Museum of Art. Object Number SD-3539 Photo courtesy Ancient Americas at LACMA (ancientamericas.org) https://cmsmc.org/publications/history-should-make-you-uncomfortable-recap monthly 0.5 2022-12-09 https://cmsmc.org/publications/history-should-make-you-uncomfortable monthly 0.5 2020-12-04 https://cmsmc.org/publications/benjamin-franklin-and-sartorial-identity-ba529 monthly 0.5 2020-11-18 https://cmsmc.org/publications/benjamin-franklin-and-sartorial-identity monthly 0.5 2020-11-13 https://cmsmc.org/publications/borat-in-the-age-of-digital-inauthenticity monthly 0.5 2021-05-07 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1604601344613-Z12PBWP1KAFZF9PZBV91/image.png Feature Essays - Borat in the Age of Digital Inauthenticity - "borat in toronto" by wvs is licensed with CC BY-NC-ND 2.0. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc-nd/2.0/ "borat in toronto" by wvs is licensed with CC BY-NC-ND 2.0. https://cmsmc.org/publications/a-picture-worth-a-thousand-words monthly 0.5 2020-10-30 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1603890480927-AWRQXZWZZAEGH63W878Y/victoria.jpg Feature Essays - A Picture Worth A Thousand Words: Figure 1 : Queen Victoria’s Diamond Jubilee Portrait, photographed by W&D Downey Royal Collection Trust / © Her Majesty Queen Elizabeth II 2020 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1603890570438-6QG2WALXDZ23V7J3CX0K/cixi.jpg Feature Essays - A Picture Worth A Thousand Words: Figure 2: Photo of Cxii, photographed by Xunling, 1903 [1] Xunling, The Empress Dowager Cixi 1903, 1903, silver print, 23x17 cm, Freer Gallery of Art and Arthur M. Sackler Gallery Archives https://cmsmc.org/publications/testimonies-of-rank-and-character monthly 0.5 2020-10-28 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1603414606367-0MQD53A6DP0ZAHHKG62L/download%2B%252817%2529.jpg Feature Essays - “Testimonies of Rank and Character”:  - Figure 1: Short saber used by Colonel John Brooks during the Revolutionary War. [1] Collection of the Massachusetts Historical Society https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1603414452816-1MVOZ93QFKDE6IU83G11/Fig.2.png Feature Essays - “Testimonies of Rank and Character”:  - Figure 2: Dress sword worn by General John Brooks.[3] Collection of the Massachusetts Historical Society https://cmsmc.org/publications/a-measured-response monthly 0.5 2020-10-17 https://cmsmc.org/publications/the-female-body-as-commodity monthly 0.5 2020-10-10 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1602170619674-YLP8YVT70DEMQI23ULCF/image4.png Feature Essays - The Female Body as Commodity: - Figure 1 Alphonse Mucha, Poster for ‘JOB’ Cigarette Paper. 1896. Colour lithograph, 66.7 x 46.4cm. Mucha Foundation, Prague. http://www.muchafoundation.org/gallery/themes/theme/advertising-posters/object/44 (accessed December 1, 2019). https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1602170990057-Z0QJUIFL4AFV08335V9U/fig.3.jpg Feature Essays - The Female Body as Commodity: - Figure 3: Jane Atché, Hors Concours (Job, Unrivaled). 1889. Colour lithograph, 150 x 120cm. Bibliothèque nationale de France. https://www.artsy.net/artwork/jane-atche-job-2 (accessed December 1, 2019). https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1602170896422-3MXAWA658ISOPLTJWEOA/fig.2.jpg Feature Essays - The Female Body as Commodity: - Figure 2: Staircase at the Hôtel Tassel. 1892-93. Architect Victor Horta designed for Emile Tassel. Brussels, Belgium. https://en.wikipedia.org/wiki/H%C3%B4tel_Tassel#/media/File:Tassel_House_stairway.JPG (accessed December 1, 2019). https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1602171111386-4RP7STMS52TCT43OGL95/fig.4.jpg Feature Essays - The Female Body as Commodity: - Figure 4: Alphonse Mucha, Poster for “JOB” Cigarette Paper. 1898. Colour lithograph, 149.2 x 101cm. Mucha Foundation, Prague. http://www.muchafoundation.org/gallery/themes/theme/advertising-posters/object/45 (accessed December 1, 2019). https://cmsmc.org/publications/to-walk-like-an-egyptian monthly 0.5 2020-10-17 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1601479715925-XVFYG3ZA8DSOS6A41S2R/Screen+Shot+2020-09-30+at+11.28.13+AM.png Feature Essays - To Walk Like an Egyptian: https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1601480297521-JSB7LJ59EPM8MQ5YQ0N2/image1.jpg Feature Essays - To Walk Like an Egyptian: - Hawara Mummy Portrait ©2015 University College London. This work by the Petrie Museum of Egyptian Archaeology is licensed under the CC BY-NC-SA license. https://cmsmc.org/publications/curating-controversy monthly 0.5 2020-10-17 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1600880731923-XEMKCM3RMG5IG1V2TXF5/MK%2Bpicture-%2BIMG_20181112_122338.jpg Feature Essays - Curating Controversy: - James Earl Fraser, Equestrian Statue of Theodore Roosevelt, 1940, Bronze Image courtesy of the author https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1600880873763-S3K1H45VIEGFG1VTHUBN/MK+picture-+IMG_20191111_102130.jpg Feature Essays - Curating Controversy: https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1600880872945-FA4BADWLJHWTP81TCB3P/MK+picture-+IMG_20191111_102045.jpg Feature Essays - Curating Controversy: https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1600880873022-P21ZYDORPNAGAP3MLBHI/MK+picture-+IMG_20191111_102040.jpg Feature Essays - Curating Controversy: https://cmsmc.org/publications/beaded-soles monthly 0.5 2020-11-05 https://cmsmc.org/publications/imperialism-identity-and-image monthly 0.5 2020-09-11 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1599591854084-HCBN0T6Y13GZW9NFCI0Z/image-asset.jpeg Feature Essays - Imperialism, Identity, and Image: - Throne of Maharaja Rangit Singh Throne of Maharaja Rangit Singh © Victoria and Albert Museum, London. Must be maximum 768pi digital use/ 5 year license https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1599592095130-YWTYU7T83KDR7DVC2FVS/Rosetta+Stone+BM+CC-+BY-NC-SA.jpg Feature Essays - Imperialism, Identity, and Image: - Rosetta Stone Rosetta Stone, CC BY-NC-SA 4.0, https://www.britishmuseum.org/collection/image/16456004 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1599592313838-IF8UL0F1ANZ06BCC507D/Wampum+Belt+BM+CC+BY-NC-SA.jpg Feature Essays - Imperialism, Identity, and Image: Wampum Belt, CC BY-NC-SA 4.0, https://www.britishmuseum.org/collection/image/1613646152 https://cmsmc.org/publications/blog-post-title-three-nkxc8 monthly 0.5 2020-09-10 https://cmsmc.org/publications/category/Ecocriticism monthly 0.5 https://cmsmc.org/publications/category/Art+History monthly 0.5 https://cmsmc.org/publications/category/Archaeology monthly 0.5 https://cmsmc.org/publications/category/Material+Culture monthly 0.5 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https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1610120443643-1U5XV7ISTNDU1KPAP1IL/image-asset.jpeg Events - Finishing Your MA Thesis (In Quarantine) - Catherine Doucette Catherine Doucette Catherine recently received her Master’s degree in the History of Art from The Courtauld Institute of Art. Her research explores the material cultures that developed between Britain, the Caribbean, North America, and Africa during the long eighteenth century and engages with histories of colonialism and transatlantic slavery. Prior to her MA studies, Catherine was an intern in the Department of European Sculpture and Decorative Arts at The Metropolitan Museum of Art, where she provided supporting research for the new installation of the British decorative arts and sculpture galleries. On the other side of the Atlantic, she volunteered at The British Museum in the Department of Britain, Europe, and Prehistory and in the Department of Prints and Drawings. Catherine is currently a Research Fellow at The Preservation Society of Newport County. Title of MA Thesis: Ralph Turnbull’s Center Table: Re-Crafting Colonial Identity in Post-Emancipation Jamaica, c. 1846-1851 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1610120426686-9I301RUXU1AV26WRGW9A/image-asset.jpeg Events - Finishing Your MA Thesis (In Quarantine) - Sarah Henzlik Sarah Henzlik Sarah Henzlik is the Social Media Coordinator at CMSMC. She earned her B.A. in Communication Studies with a minor in the History of Art (Phi Beta Kappa) from the University of Michigan-Ann Arbor and her M.A. in Art and Museum Studies from Georgetown University. She has held academic appointments at the Smithsonian National Portrait Gallery and the Smithsonian National Museum of African American History and Culture. Her research interests include public engagement in museums and museum strategic planning. Title of MA Thesis (Capstone): More than Water Lilies and Sunflowers? Considering Blockbuster Exhibitions. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1610126321266-U7DAAZ6Q88GFK77F52J6/IMG_2185.jpg Events - Finishing Your MA Thesis (In Quarantine) Jackie Quint Jacqueline Quint graduated from Tufts last May with a Master's in History and Museum Studies, following her degree in History and Political Science from Colby-Sawyer College in 2017. Her master's studies focused on European and East Asian women's history, culminating in her final thesis and exhibition plan, which focused on and compared on the cultural expectations of female leadership in The United Kingdom and China during the modern period (1860-1908) through the reigns of the female monarchs on the throne at the time. Title of MA Thesis: Restricted by Silk: Exploring Cultural Expectations of Female Rulers through Queen Victoria and Dowager Empress Cixi https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1610126581675-VHS3C5D00CJBZYW95JA8/sydney_.jpg Events - Finishing Your MA Thesis (In Quarantine) Sydney Sheehan Sydney is the Technology and Outreach Chair with CMSMC. In May of 2020, Sydney graduated from Columbia University with her MA in American Art History of the 19th century. Sydney has held positions in the Metropolitan Museum of Art, the Whitney Museum of American Art, and numerous contract positions in the arts. She currently holds a position with the SS United States Conservancy. Research interests include: 19th century Folk and Maritime art, Native-Settler relations of the Jacksonian era, and public depictions of Indigenous figures by Euro-Americans. Title of MA Thesis: From Prop to Prow: The Native American Image On Board 19th Century Ships. https://cmsmc.org/opeds daily 0.75 2024-08-28 https://cmsmc.org/opeds/the-care-keeping-of-me-millennial-girls-coming-of-age-story monthly 0.5 2024-08-28 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/7a7be8d0-defe-46a9-9fbf-c9c5b944c9e4/Napierkowski+image.jpeg Opinion - The Care & Keeping of Me: Millennial Girls’ Coming of Age Story - Make it stand out Photographer Sydney Rose Paulsen (@5hensandacockatiel), uses American Girl dolls to recreate cover of the The Care & Keeping of You. https://cmsmc.org/opeds/small-museum-big-mission monthly 0.5 2024-08-27 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1700235887512-TBXX0JB7XJU6KKO6Q45Y/IMG_20230601_173923870.jpg Opinion - A Small Museum on a Big Mission: Exhibiting a Local Story of Carceral Reform to Engage National Audiences https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1700235888512-0Q4EC4K7G2QOSHLDGB9G/IMG_20230601_173912628+%281%29.jpg Opinion - A Small Museum on a Big Mission: Exhibiting a Local Story of Carceral Reform to Engage National Audiences https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1700235887685-J5WEADNIERS6VVX08GR3/IMG_20230601_173946751.jpg Opinion - A Small Museum on a Big Mission: Exhibiting a Local Story of Carceral Reform to Engage National Audiences https://cmsmc.org/opeds/hsmyu-recap-2023 monthly 0.5 2023-11-17 https://cmsmc.org/opeds/tools-of-the-trade-recap monthly 0.5 2023-03-11 https://cmsmc.org/opeds/tools-of-the-trade monthly 0.5 2022-12-09 https://cmsmc.org/opeds/curatorial-practices-british-galleries monthly 0.5 2022-09-23 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/48e60fb2-b88d-401f-b05e-a1a3558c2161/image1_beeson.png Opinion - Curatorial Practice and the Power of Perception: Fred Wilson’s Mining the Museum and the Newly Reinstalled British Galleries at the Metropolitan Museum of Art - Make it stand out Fig. 1. Josiah Wedgwood, Antislavery medallion, ca. 1787, jasperware, The Metropolitan Museum of Art, New York. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/8bb46b24-a32e-4256-903e-00b34fdc7b76/image2_Beeson.png Opinion - Curatorial Practice and the Power of Perception: Fred Wilson’s Mining the Museum and the Newly Reinstalled British Galleries at the Metropolitan Museum of Art - Make it stand out Fig. 2. Chelsea Porcelain Manufactory, Tea caddy, 1745–50, porcelain, The Metropolitan Museum of Art, New York. https://cmsmc.org/opeds/mcneil-galleries monthly 0.5 2022-06-14 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/a3f9abac-0f45-4fca-a871-8ec034dafd92/stolzfus_1.jpeg Opinion - Material Culture and the McNeil Galleries: A Review of the Philadelphia Museum of Art’s Reinterpretation of its Early American Collection - Make it stand out Figure 1 : Photo of silver Brandywine bowl and video display. Photo by author. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/b41e2191-1b13-49ce-a735-76743a0da68c/stolzfus_2.jpeg Opinion - Material Culture and the McNeil Galleries: A Review of the Philadelphia Museum of Art’s Reinterpretation of its Early American Collection - Make it stand out Figure 2: Chair display. Photo by author. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1d4c4e6f-b9fd-4c23-abbb-266df9ae01b0/stolzfus_3.jpeg Opinion - Material Culture and the McNeil Galleries: A Review of the Philadelphia Museum of Art’s Reinterpretation of its Early American Collection - Make it stand out Figure 3: Charles Willson Peale portrait of the Cadwalader family and card table by shop of Thomas Affleck. https://cmsmc.org/opeds/book-review-indigenous-repatriation-handbook monthly 0.5 2022-01-07 https://cmsmc.org/opeds/crime-and-spectacle-recap monthly 0.5 2022-01-06 https://cmsmc.org/opeds/spectatorship-and-the-consumption-of-dying monthly 0.5 2021-11-26 https://cmsmc.org/opeds/vandalism-at-the-vatican monthly 0.5 2021-09-17 https://cmsmc.org/opeds/from-the-mixed-up-files-stewart-museum monthly 0.5 2021-09-10 https://cmsmc.org/opeds/van-gogh-museum-theft monthly 0.5 2021-09-02 https://cmsmc.org/opeds/spectacle-of-the-everyday monthly 0.5 2021-08-27 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1628524689091-TSIX67QR0O8S0793PHK3/Staton+OPED+August+Final+pdf.jpg Opinion - “The Spectacle of the Everyday: Thoughts from a Walk in Rome” - Make it stand out Figure one: Domenico Fontana, et al., Moses Fountain, 1587-90. Piazza di San Bernardo, Rome. Author’s photograph. https://cmsmc.org/opeds/introducing-op-eds monthly 0.5 2021-08-13 https://cmsmc.org/opeds/category/Symposium monthly 0.5 https://cmsmc.org/opeds/category/Curatorial+Critique monthly 0.5 https://cmsmc.org/opeds/category/Repatriation monthly 0.5 https://cmsmc.org/opeds/category/Exhibition+Review monthly 0.5 https://cmsmc.org/opeds/category/Book+Review monthly 0.5 https://cmsmc.org/opeds/tag/Symposium monthly 0.5 https://cmsmc.org/opeds/tag/American+Girl+Dolls monthly 0.5 https://cmsmc.org/opeds/tag/Curatorial+Practices monthly 0.5 https://cmsmc.org/issue-1-volume-1 daily 0.75 2023-10-17 https://cmsmc.org/issue-1-volume-1/1 monthly 0.5 2023-10-14 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697303308758-OAV1BH6KIS3HKKM6UTD8/4.png Issue 1. Volume 1 - 1. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697303306241-SF0H6XKS765UKFCX1Q7Q/5.png Issue 1. Volume 1 - 1. https://cmsmc.org/issue-1-volume-1/2 monthly 0.5 2023-10-17 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697569948916-BJ6L7O93RW0YRGGRBNHX/7.png Issue 1. Volume 1 - 2. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697569948297-6UU3F504DHJBV7BUOPZB/8.png Issue 1. Volume 1 - 2. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697569951723-OKS4Z77RCIAM29L3ZUTG/9.png Issue 1. Volume 1 - 2. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697569952245-P9FKLOBPY5WQMNQA7MG3/10.png Issue 1. Volume 1 - 2. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697569956950-4QBF9N9HHYLK9GQ3QEIG/11.png Issue 1. Volume 1 - 2. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697569955687-C08MJ08ENAISH0BS0IHF/12.png Issue 1. Volume 1 - 2. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697569961040-O9DCC7RV7IS1DJYVWOYF/13.png Issue 1. Volume 1 - 2. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697569961225-08OMCAHUXN8HL01HJPP0/14.png Issue 1. Volume 1 - 2. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697569963325-V74LOQOJLVBT05SYF8G7/15.png Issue 1. Volume 1 - 2. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697569962740-E6PFDXCK294SM3U2SKBL/16.png Issue 1. Volume 1 - 2. https://cmsmc.org/issue-1-volume-1/3 monthly 0.5 2023-10-14 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302636717-HXLVBVCPE0RO95MLJ16C/17.png Issue 1. Volume 1 - 3. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302637557-UMOJPVJOVGKP7FZTFMFW/18.png Issue 1. Volume 1 - 3. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302642078-EMH5W91F8KALLJLJGCUG/19.png Issue 1. Volume 1 - 3. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302642701-L28Y3VRUSQFIOFL7OB5N/20.png Issue 1. Volume 1 - 3. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302647271-YWQD00H2KUN1R3DFH472/21.png Issue 1. Volume 1 - 3. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302647812-OEYJS2D412BL50FPVP3U/22.png Issue 1. Volume 1 - 3. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302651680-45TF129TYZ2JM7F9U4ZB/23.png Issue 1. Volume 1 - 3. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302652275-S51MD4UGM9PQ6L5XZWQO/24.png Issue 1. Volume 1 - 3. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302656440-MGU7F4CYCETJ29U8OOFN/25.png Issue 1. Volume 1 - 3. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302656729-N1BN2QE26YO1XVIF9XQL/26.png Issue 1. Volume 1 - 3. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302659096-77WD9IPGJWF1Q6KXR6AG/27.png Issue 1. Volume 1 - 3. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302659518-RGRP9ZO4MQKVFB17TRE6/28.png Issue 1. Volume 1 - 3. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302663639-H9TFCPSLO5H2X3AIYSM1/29.png Issue 1. Volume 1 - 3. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302664216-QTUP3PYQO4049F3IOOI6/30.png Issue 1. Volume 1 - 3. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302668393-CKH1TY1FPRCUM28S8OIN/31.png Issue 1. Volume 1 - 3. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302668769-J5YHHYAGOC5B1QFJRF8M/32.png Issue 1. Volume 1 - 3. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302672141-UV1HTHL5VV4G6VPSCSW5/33.png Issue 1. Volume 1 - 3. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302672856-68R44LQ3T9TQR9MV9COZ/34.png Issue 1. Volume 1 - 3. https://cmsmc.org/issue-1-volume-1/4 monthly 0.5 2023-10-14 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302835031-18P153EBJ68THH3OPYOB/35.png Issue 1. Volume 1 - 4. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302830916-XXCZOAMSN5BKJSE9ZSO2/36.png Issue 1. Volume 1 - 4. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302835547-X8GB93Z2Q625TN1GA9T9/37.png Issue 1. Volume 1 - 4. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302846326-3I5RHTZU1VNLVYIEYWYL/38.png Issue 1. Volume 1 - 4. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302840868-C3RUZZGRLD0GPR50DAKI/39.png Issue 1. Volume 1 - 4. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302856768-JMO6ACTCY6JOHRHRT34G/40.png Issue 1. Volume 1 - 4. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302855956-46G5HO3CVHQ5MJMTEUYC/41.png Issue 1. Volume 1 - 4. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302859801-PTE9NG9EKNTT4800YKD5/42.png Issue 1. Volume 1 - 4. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302861760-OHHL6NOV6YSHGEA44MY9/43.png Issue 1. Volume 1 - 4. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302864330-U539T2819AM7CTK1GVTS/44.png Issue 1. Volume 1 - 4. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302865737-C5EKGZKERF733TGAJDEY/45.png Issue 1. Volume 1 - 4. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302868280-YBI29J8EWH550DXPM1DP/46.png Issue 1. Volume 1 - 4. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302870495-K8UBOJ43NX3M6KI2ZHCV/47.png Issue 1. Volume 1 - 4. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697302871962-FQM2F3GUIO9JXCL0NCA5/48.png Issue 1. Volume 1 - 4. https://cmsmc.org/issue-1-volume-1/5 monthly 0.5 2023-10-14 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697300298949-VLKNGCJO39S04ESDL4L2/49.png Issue 1. Volume 1 - 5. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697300301329-KMAKCC3TOTAD0DE0EX37/50.png Issue 1. Volume 1 - 5. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697300311996-MAHG42B7VP01UOBHJYP5/51.png Issue 1. 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Volume 1 - 5. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697300350226-B8LJ22I7B0OTC5PZI4EZ/66.png Issue 1. Volume 1 - 5. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697300351905-WMIQ0VUS6WQ301DP79RN/67.png Issue 1. Volume 1 - 5. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697300355146-EY30XDQK3HF6RM9JA5BV/68.png Issue 1. Volume 1 - 5. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697300357705-ZCVWV7BSV2YFA0M6BRGT/69.png Issue 1. Volume 1 - 5. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697300360019-0PNHPM94TKFALNXEXX66/70.png Issue 1. Volume 1 - 5. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697300362840-WQCEVLLSM4ZNNTHB6PX8/71.png Issue 1. Volume 1 - 5. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697300364734-K1YYP84EQ0VZE321UEZC/72.png Issue 1. Volume 1 - 5. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697300366896-Y0Q2SKEB86LDRXR4FQ2R/73.png Issue 1. Volume 1 - 5. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697300368301-1CR214HQOS2VVW6S5XNR/74.png Issue 1. Volume 1 - 5. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697300372009-19KSMZEP4TNS57VDNAEX/75.png Issue 1. Volume 1 - 5. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697300372879-JABYZ9W6N930XI29N7XZ/76.png Issue 1. Volume 1 - 5. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1697300374287-RUQNHUDRIZBR80T4QVLV/77.png Issue 1. Volume 1 - 5. https://cmsmc.org/contact daily 0.75 2020-10-18 https://images.squarespace-cdn.com/content/v1/5ce435d6bea1ed00016ba287/1558964652247-5MWXNMFZVOPGE4TY6U2Q/MHeiderich_ReflexionenZwei-05-copy.jpg Contact https://cmsmc.org/mission daily 0.75 2021-11-15 https://images.squarespace-cdn.com/content/v1/5ce435d6bea1ed00016ba287/1558964652247-5MWXNMFZVOPGE4TY6U2Q/MHeiderich_ReflexionenZwei-05-copy.jpg Mission https://cmsmc.org/fall-2021 daily 0.75 2021-12-03 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/7b8bc774-a40a-4d7d-9556-bba9a80b0235/Inside+Cover.png Fall 2021 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/261e4dee-1f6a-430b-8b60-666795cbdd12/Inside+Cover+%282%29.png Fall 2021 - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://cmsmc.org/editorial-team daily 0.75 2025-04-04 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1612878262490-NRJV1V4A1C8BEQELTRA5/IMG_6690.jpg Editorial Team - Erika Foster (she/her) Erika was awarded her Master’s degree in Medieval History from the University of Edinburgh and her Master’s degree in Information Management and Preservation from the University of Glasgow. She received her Bachelor’s in History and a minor in Medieval Studies from Seattle University. Additionally, Erika has attended archaeological field school in Cortez, Colorado, headed a Medieval Manuscripts and Rare Early Modern Books project at Seattle University’s Lemieux Library Special Collections, worked as an assistant archivist at the Falkirk Callendar House, and participated in a research workshop researching and curating medieval cartularies at the National Library of Scotland. Erika’s primary area of study is legal and literary history in the Middle Ages and the Early Modern Era, with an overarching emphasis on historical and archival theory and methodology. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1597841778589-CK8ZHHCUZGAOV1E1N8UM/Screen%2BShot%2B2019-08-01%2Bat%2B7.55.24%2BPM.jpg Editorial Team - Abigail King (she/her) Abigail earned a Bachelor’s in History and a minor in Classics from the University of Kentucky before graduating from Tufts University with a Master’s in History and Museum Studies. Her major historical research interests include women in the ancient Mediterranean and medieval gender and sexuality studies. She worked with material culture at museums such as the Museum of Fine Arts in Boston and the Smithsonian’s National Air and Space Museum. She currently administrates at a national laboratory. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1634653929310-RB5247UFRSVT942160RX/Mary+Manfredi_2663.jpg Editorial Team - Make it stand out Mary Manfredi Mary earned a Bachelor's in History with a minor in Art History from Rosemont College before graduating from Villanova University with a Master's in History with a Public History concentration. Her research interests revolve around American material and visual culture. Mary has held archival, museum education, and curatorial positions. She currently works for the American Art department at Bonhams in their New York office. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1601323360645-SVB4F0ASUH2SYSL0TBPH/vmooreoafa2.jpg Editorial Team - Victoria Moore Tori earned her Bachelor’s degree from Tufts University where she double majored in History and Political Science. She remained at Tufts to complete a Master’s of Art in History and Museum Studies. As a master’s student Tori’s research interests centered around the English Reformation with a focus on the role of women in political, religious, and social change during the Reformation Era. She is broadly interested in the complex interplay between church and state during the Early Modern period and the various forms of propaganda that were utilized during this time. Tori has worked in various museum settings in the Boston area such as the John F. Kennedy Museum, King’s Chapel Historic Site, and the Worcester Art Museum https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1598879151045-4BIIT4BJZ61FQGD92T1A/image0+%282%29.jpeg Editorial Team - Reb Xu (they/them) Reb received their master’s degree in history at Tufts University, and their primary area of study is the history of medicine, science, and technology. They earned their bachelor’s degree at Tufts University, majoring in History, International Relations, and Russian and Eastern European Studies. Their research interests also include death studies, environmental history, food history, and history and memory. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1612878501034-EQFHCKRZ2NHNLEJL89YN/Radford_photo.jpg Editorial Team - Maille Radford Maille earned the first joint bachelor’s degree in Chemistry and History of Art and Architecture from Harvard University where she focused on integrating a scientific understanding of materials with interpretations of modern and contemporary art. As a Marshall Scholar, she earned an MA in History of Art at University College London and, with an interest in digital forms of art and its reception, subsequently pursued an MSc in Computing Science at Imperial College London. She has previously interned in the Straus Center for Conservation and Technical Studies of the Harvard Art Museums. Her research primarily focuses on the implications of modern materials and technological innovations. https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1634654072825-FORBFVKQSV90PQ5WS8SS/John+Shorter_2019.jpg Editorial Team - John Shorter John Shorter is a graduate student at The University of the West Indies (UWI), Mona, specialising in archaeology, memory, and marginality. His research intersects bioarchaeology with medical and plantation history to investigate the physical impact of slavery, and other exploitative labour regimes, on the skeletal remains of Afro-Caribbean populations. Oral history, class relations, and the role of alternative archives also feature prominently within the parameters of his analysis. He is an executive board member of the Archaeological Society of Jamaica (ASJ) and a research assistant at The UWI Mona’s Centre for Reparation Research (CRR). https://cmsmc.org/hsmyu daily 0.75 2020-11-22 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1605458537101-7C4HBBY1N1TD69BQ5CXD/Copy+of+The+Coalition+of+Master%27s+Scholars+presents_.png Fall 2020- History Should Make You Uncomfortable https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/1605305748502-U3O6OOSMR1Z6119UI3VD/image-asset.png Fall 2020- History Should Make You Uncomfortable https://cmsmc.org/watch-hsmyu-2023 daily 0.75 2023-03-05 https://images.squarespace-cdn.com/content/v1/5ef9fae58544f214e0aee415/d8372ef1-4b6d-4c1c-94eb-8f1f6f413ad9/Copy+of+Copy+of+HSMYU+Program+8.511.png https://cmsmc.org/opinion-cfp daily 0.75 2021-12-16 https://cmsmc.org/opportunities daily 0.75 2024-03-22 https://cmsmc.org/new-page daily 0.75 2025-04-05 https://cmsmc.org/calendar daily 0.75 2020-12-03 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